NEW YORK
MOFFAT, YARD & COMPANY
1922
Copyright, 1918,
BY
MOFFAT, YARD & COMPANY
——
First printing December 12, 1918
Second printing April 25, 1919
TABLE OF CONTENTS
INTRODUCTION
THIS book, the rather unpremeditated production of several months’ work, is by a man who is not a novelist and who is therefore entirely unfitted to write about women who are novelists. Several excuses may be urged; the author is, by general agreement, young. He has to do with many novels, being, indeed, a sort of new and strange creature, a literary reporter self-styled, a person connected with a newspaper and charged with the task of describing new books for the readers thereof. As he could make no critical pretensions he had to fall back upon a process peculiar to newspaper work, the attempt at a simple putting before the public of facts, of things lately said and done—in short, of news. He had to regard a new book as a piece of news to be communicated as honestly and as entertainingly as any other occurrence. And so, here. He has tried to be a good reporter of the personalities, performances and methods of work of some of the best known American women novelists.
An effort has been made to include in this book all the living American women novelists whose writing, by the customary standards, is artistically fine. An equal effort has been made to include all the living American women novelists whose writing has attained a wide popularity. The author does not contend, nor will he so much as allow, that the production of writing artistically fine is a greater achievement than the satisfaction of many thousands of readers. It may be more lasting; it is not more meritorious; and to attempt to institute comparisons between the two things is absurd. The critic may be justified in treating of Edith Wharton and ignoring Gene Stratton-Porter. The literary reporter who should do such a thing doesn’t know his job.
It is, therefore, to be feared that this is no book for highbrows. But a lower forehead and a broader outlook have their advantages. In the striking popularity of a particular storyteller a thoughtful observer may see important and significant evidences of the tendencies of his time. And that may be much more worth his while than the most careful speculation as to who will be read fifty years from now.
The order in which authors are taken up in the book is accidental and therefore meaningless. The reader is recommended to follow his own inclination in perusing the chapters. They are entirely detached from each other, as are the subjects considered except for an occasional reference, in discussing one, to another’s work. These references, and in fact all the discussions of various books, are to be taken as expository and not critical. If a thing is stated to be good, bad or indifferent the statement is made as a statement of fact and not of personal opinion.