When Winter Comes to Main Street

by Grant M. Overton

iii

There is a prefatory sentence, as follows:

“Every mother is a Judge who sentences the children for the sins of the father.”

There is a dedication. It is:

TO THE MEMORY OF MY MOTHER

The Judge is a study of the claim of a mother upon her son. The circumstances of Mrs. Yaverland’s life were such as peculiarly to strengthen the tie between her and Richard. On the other hand, she had always disliked and even hated her son Roger.

The first part of the book, however, does not bring in Richard Yaverland’s mother. It is a picture of Ellen Melville, the girl in Edinburgh, the girl whose craving for the colour of existence has gone unsatisfied until Richard Yaverland enters her life. Yaverland, with his stories of Spain, and his imaginative appeal for that young girl, is the fulcrum of Ellen Melville’s destiny.

That destiny, carried by the forces of human character to its strange termination, is handled by Miss West in a long novel the chapters of which are a series of delineative emotions. I do not mean that Miss West shrinks from externalised action, as did Henry James whom she has admired and studied. She perceives the immense value of introspection, but is not lost in its quicksands. She can devote a whole chapter to a train of thought in the mind of Ellen Melville, sitting inattentively at a public meeting; and she can follow it with another long chapter giving the sequence of thoughts in the mind of Richard Yaverland; and she can bring each chapter to a period with the words: “She (he) glanced across the hall. Their eyes met.” It might be thought that this constitutes a waste of narrative space; not so. As a matter of fact, without the insight accorded by these disclosures of things thought and felt, we should be unable to understand the behaviour of these two young people.

All the first half of the book is a truly marvelous story of young lovers; all the latter end of the book is a relation scarcely paralleled in fiction of the conflict between the mother’s claim and the claim of the younger woman.

Of subsidiary portraits there are plenty. Ellen’s mother and Mr. Mactavish James and Mr. Philip James are like full-lengths by Velasquez. In the closing chapters of the book we have the extraordinary figure of the brother and son, Roger, accompanied by the depressing girl whom he has picked up the Lord knows where.