Before I try to account for it I will give you a long passage from The Just Steward, describing the visit of Katharine Forbis and her friend to the house of John Hazel, lately of London and now of Alexandria:
“The negro porter who had opened the door, a huge Ethiopian of ebony blackness, dressed and turbaned in snow-white linen, salaamed deeply to the ladies, displaying as he did so a mouthful of teeth as dazzling in whiteness and sharply-pointed as those of the mosaic dog.
“Then the negro shut the heavy door and locked and bolted it. They heard the car snort and move away as the heavy bolts scrooped in their ancient grooves of stone. But, as they glanced back, towards the entrance, the imperturbable attendant in the black kaftan waved them forward to where another man, exactly like himself in feature, colouring and costume, waited as imperturbably on the threshold of a larger hall beyond. On its right-hand doorpost was affixed a cylinder of metal repoussée with an oval piece of glass on that something like a human eye. And the big invisible bees went on humming as industriously and as sleepily as ever:
“‘Bz’zz’z!... Bzz’z!... Bzz m’m’m!...’
“Perhaps it was the bees’ thick, sleepy droning that made Miss Forbis feel as though she had previously visited this house in a dream, in which, though the mosaic dog had certainly figured, together with a negro who had opened doors, the rows of shoes along the wall, the little creature tripping at her side, the two dark, ultra-respectable men in black tarbushes and kaftans had had no place or part. Only John Hazel had bulked big. He was there, beyond the grave Semitic face of the second Jewish secretary, on the farther side of the torrent of boiling amber sunshine pouring through a central opening in the roof of the inner hall that succeeded the vestibule of the mosaic Cerberus. An atrium some forty feet in length, paved with squares of black and yellow marble with an oblong pool in the midst of it, upon whose still crystal surface pink and crimson petals of roses had been strewn in patterns, and in the centre of which a triple-jetted fountain played.
“The humming of the unseen bees came louder than ever, from a doorway in the wall upon Katharine’s right hand, a wall of black polished marble, decorated with an inlaid ornament in porphyry of yellow and red and pale green. The curtain of dyed and threaded reeds did not hide what lay beyond the doorway. You saw a long, high-pitched whitewashed room, cooled by big wooden electric fans working under the ceiling, and traversed by avenues of creamy-white Chinese matting, running between rows of low native desks, before each of which squatted, on naked or cotton-sock-covered heels, or sat cross-legged upon a square native chintz cushion, a coffee-coloured, almond-eyed young Copt, in a black or blue cotton nightgown, topped with the tarbush of black felt or a dingy-white or olive-brown muslin turban, murmuring softly to himself as he made entries, from right to left, in a huge limp-covered ledger, or deftly fingered the balls of coloured clay strung on the wires of the abacus at his side.
“Oh! ... Wonderful! I’m so Glad you Brought me!’
“Lady Wastwood’s emphatic exclamation of pleasure in her surroundings brought cessation in the humming—caused a swivelling of capped or turbanned heads all down the length of three avenues—evoked a simultaneous flash of black Oriental eyes, and white teeth in dusky faces lifted or turned. Then at the upper end of the long counting-house, where three wide glassless windows looked on a sanded palm-garden, and the leather-topped knee-hole tables, roll-top desks, copying ink presses, mahogany revolving-chairs, telephone installations, willow-paper baskets, pewter inkstands and Post Office Directories suggested Cornhill and Cheapside rather than the Orient—one of the olive-faced Jewish head-clerks in kaftans and side-curls coughed—and as though he had pulled a string controlling all the observant faces, every tooth was hidden and every eye discreetly bent on the big limp ledgers again.
“All the Coptic bees were humming sonorously in unison as Katharine went forward to a lofty doorway, framing brightness, where waited to receive her the master of the hive....
“The light beings behind him may have exaggerated his proportions, but he seemed to Trixie the biggest man she had ever seen, and nearly the ugliest. Close-curling coarse black hair capped his high-domed skull, and his stern, powerful, swarthy face, big-nosed and long-chinned, with a humorous quirk at the corners of the heavy-lipped mouth, that redeemed its sensuousness, was lighted by eyes of the intensest black, burning under heavy beetle-brows. His khaki uniform, though of fine material and admirable cut, was that of a common ranker, and a narrow strip of colours over the heart, and the fact of his left arm being bandaged and slung, intimated to Lady Wastwood that Katharine’s Jewish friend had already served with some degree of distinction, and had been wounded in the War. And drawing back with her characteristic inconquerable shyness, as he advanced to Miss Forbis, plainly unconscious of any presence save hers, Trixie’s observant green eyes saw him bend his towering head, and sweep his right arm out and down with slow Oriental stateliness, bringing back the supple hand to touch breast, lips and brow. Whether or not he had raised the hem of Katharine’s skirt to his lips and kissed it, Lady Wastwood could not definitely determine. She was left with the impression that he had done this thing.”