iv. LIFE AND PURPOSE
Horace's philosophy of life is thus based upon something deeper than the principle of seizing upon pleasure. His definition of pleasure is not without austerity; he preaches the positive virtues of performance as well as the negative virtue of moderation. He could be an unswerving follower and guardian of true virtue, and could bend self to circumstance.
He stands for domestic purity, and for patriotic devotion. Dulce et decorum est pro patria mori,—to die for country is a privilege and a glory. His hero is Regulus, returning steadfastly through the ranks of protesting friends to keep faith with the pitiless executioners of Carthage. Regulus, and the Scauri, and Paulus, who poured out his great spirit on the disastrous field of Cannae, and Fabricius, of simple heart and absolute integrity, he holds up as examples to his generation. In praise of the sturdy Roman qualities of courage and steadfastness he writes his most inspired lines:
The righteous man of unswerving purpose is shaken in his solid will neither by the unworthy demands of inflamed citizens, nor by the frowning face of the threatening tyrant, nor by the East-wind, turbid ruler of the restless Adriatic, nor by the great hand of fulminating Jove himself. If the heavens should fall asunder, the crashing fragments would descend upon him unterrified.
He preaches the gospel of faithfulness not only to family, country, and purpose, but to religion. He will shun the man who violates the secrets of the mysteries. The curse of the gods is upon all such, and pursues them to the day of doom.
Faithfulness to friendship stands out with no less distinctness. While Horace is in his right mind, he will value nothing so highly as a delightful friend. He is ready, whenever fate calls, to enter with Maecenas even upon the last journey. Among the blest is he who is unafraid to die for dear friends or native land.
Honor, too,—the fine spirit of old Roman times, that refused bribes, that would not take advantage of an enemy's weakness, that asked no questions save the question of what was right, that never turned its back upon duty, that swore to its own hurt and changed not; the same lofty spirit the recording of whose manifestations never fails to bring the glow to Livy's cheek and the gleam to his eye,—honor is also first and foremost in Horace's esteem. Regulus, the self-sacrificing; Curius, despising the Samnite gold; Camillus, yielding private grievance to come to his country's aid; Cato, dying for his convictions after Thapsus, are his inspirations. The hero of his ideal fears disgrace worse than death. The diadem and the laurel are for him only who can pass on without the backward glance upon stores of treasure.
Finally, not least among the qualities which enter into the ideal of Horace is the simplicity of the olden time, when the armies of Rome were made up of citizen-soldiers, and the eye of every Roman was single to the glory of the State, and the selfishness of luxury was yet unknown.
Scant were their private means, the public, great;
'Twas still a commonwealth, that State;