"I shall eat my own bread, not hers, and that is our affair. Come now, Giovanna, take heart! What the devil! Do you remember that story I was telling you on the road from Nuoro? Be sensible now, for this little chap's sake. Costantino is not going to die in prison, I can tell you that myself. Give me the baby," he added, stooping down to take it, but finding the little fellow asleep, he straightened himself, and, placing a finger on his lips, "Aunt Bachissia," he said (he always used the "Aunt" and "Uncle" even with people younger than himself), "do me a favour; send your daughter to bed; she has come to the end of her forces. And you, good people," he continued, turning to the company, "let us do something as well, let us take ourselves off."
One by one, accordingly, they all departed. Aunt Bachissia, seizing the stool upon which Isidoro Pane had been seated, took it outside and wiped it vigorously. When she came in she found Giovanna fallen into a sort of a doze, and had to shake her in order to arouse her.
The young woman opened her eyes, which were red and glassy; then she got up with the child in her arms.
"Go to bed," commanded the mother.
She looked at the door, murmuring: "Never again! He will never, never come back again! For a moment I thought I was waiting for him."
"Go to bed, go to bed," said the mother, her voice harsher than ever. She gave Giovanna a push, and then, taking up the old brass candlestick, opened the door.
The cottage consisted of a kitchen, with the usual stone fireplace in the centre and the oven in one corner, and two bedrooms, furnished in the most meagre way. Giovanna's bedstead was of wood, very high, and provided with an extremely hard mattress and a red cotton counterpane.
Aunt Bachissia took the little Martino, who was whimpering in his sleep, and laid him down, cradling him between her two hands, while Giovanna got ready for bed. When she was undressed and her head bare, the beautiful hair wound around it somewhat in the fashion of the ancient Romans, the mother covered her carefully and went out.
No sooner was she left to herself, however, than she threw off the covers and began to moan and lament. She was completely worn out with sorrow and fatigue, and her eyes were heavy with sleep, yet she could not rest. Confused pictures kept crowding through her brain, and, as though her mental anguish were not already suffering enough, sharp pains shot through her teeth and temples. Every time she had one of these twinges it was as though some one had poured a jug of boiling water down her spine, and she shook with nervous terror. Altogether, the night was one long horror.
From the adjoining room, the door of which stood open, Aunt Bachissia could hear Giovanna muttering and raving; now addressing Costantino in terms of extravagant endearment; then the jury with threats and imprecations. She herself, meanwhile, lay wide awake, her brain clear and active, going over every detail of what had taken place, and laying plans for the future. The sound of Giovanna's grief only aroused a dumb sense of resentment in her breast, and yet, after a while, she too found herself weeping.