This realisation was heavy upon him on that morning when he awoke and fingered the warm paper of Giovanna's last letter.
Getting up, he sighed heavily, and began to dress himself. The man on his right stopped snoring, opened one sleepy eye, regarded Costantino dully, then closed it again. "Feeling badly?" he asked, as Costantino sighed again. "Oh, yes! Your child is ill. Why don't you tell the Director?"
"Why should I tell the Director? He would clap me into a cell for receiving the letter, and that would be the whole of it."
"Except pane e pollastra" (bread and water), said an ironical voice.
There was a general laugh, and Costantino, realising bitterly the utter indifference of all those men among whom he was destined to pass his days, felt as though he were wandering alone in a burning desert, gasping for air and water.
He went to his work longing impatiently for the exercise hour, when he would be able to talk over his troubles with the King of Spades. The great, fat, yellow man whom he despised so in his heart, was, nevertheless, indispensable to him; his sole comfort, in fact. He alone in that place understood him, was sorry for him, and listened to him. He was paid for it all, to be sure, but what did that signify? He was necessary in the same way to a great many of the convicts, but to none, probably, as much as to Costantino, who already, with a somewhat selfish regret, was dreading the time when, his term expired, the King of Spades would finally depart.
On this particular day a new inmate made his appearance in the workroom. He was a Northerner; long and sinuous, with a grey, wrinkled face, and small, pale eyes. It was not easy to tell his age, but the men laughed when he announced himself as twenty-two. He began at once to complain of the heat and of the sickening smell of fish that filled the room. Ah, he was no cobbler; no, indeed! He was the only son of a wealthy wholesale shoe-dealer,—a gentleman, in fact. And thereupon he recounted his unfortunate history. He had, it appeared, been so unlucky as to kill a rival in love; there had been provocation and he had ripped him open in the back,—simply that! The woman who was the real cause of the crime had consumption, and now she was dying from grief,—dying, simply that! Moreover, there was a child in the question, a son of the prisoner's by the sick woman. If she died, the boy would be left orphaned and abandoned. Costantino trembled at this; not, indeed, that the man's story affected him particularly, but because the picture of the woman and the child reminded him of Giovanna and the sick Malthineddu.
The newcomer, who was cutting a pair of soles with considerable skill, now became silent, and bent over, intent upon his work, his under lip trembling like that of a child about to cry. Costantino, watching him, reflected that though he knew that this man must be suffering intensely he felt as indifferent as did any of the others: he too, then, had lost the power of sympathising with the sorrows of others! The thought filled him with dismay and made him more insanely anxious to get out than ever.
That day, as soon as he saw the King of Spades, he drew him over to a corner where the sun-baked wall cast a little spot of shade; but when he had got him there he could not bring himself to begin on his own troubles. Instead he repeated the story told by the new arrival. The other shrugged his shoulders and spat against the wall.
"If he wants to, even he can write," he said. "But I should advise prudence, some one is nosing about."