PAINTING ON GLASS AND PORCELAIN AND ENAMEL PAINTING. A Complete Introduction to the Preparation of all the Colours and Fluxes used for Painting on Porcelain, Enamel, Faïence and Stoneware, the Coloured Pastes and Coloured Glasses, together with a Minute Description of the Firing of Colours and Enamels. By Felix Hermann, Technical Chemist. With Eighteen Illustrations. 300 pp. Translated from the German second and enlarged Edition. 1897. Price 10s. 6d.; India and Colonies, 11s.; Other Countries, 12s.; strictly net.
Contents.
History of Glass Painting—The Articles to be Painted: Glass, Porcelain, Enamel, Stoneware, Faïence—Pigments: Metallic Pigments: Antimony Oxide, Naples Yellow, Barium Chromate, Lead Chromate, Silver Chloride, Chromic Oxide—Fluxes: Fluxes, Felspar, Quartz, Purifying Quartz, Sedimentation, Quenching, Borax, Boracic Acid, Potassium and Sodium Carbonates, Rocaille Flux—Preparation of the Colours for Glass Painting—The Colour Pastes—The Coloured Glasses—Composition of the Porcelain Colours—The Enamel Colours: Enamels for Artistic Work—Metallic Ornamentation: Porcelain Gilding, Glass Gilding—Firing the Colours: Remarks on Firing: Firing Colours on Glass, Firing Colours on Porcelain; The Muffle—Accidents occasionally Supervening during the Process of Firing—Remarks on the Different Methods of Painting on Glass, Porcelain, etc.—Appendix: Cleaning Old Glass Paintings.
Paper Staining.
THE DYEING OF PAPER PULP. A Practical Treatise for the use of Papermakers, Paperstainers, Students and others. By Julius Erfurt, Manager of a Paper Mill. Translated into English and Edited with Additions by Julius Hübner, F.C.S., Lecturer on Papermaking at the Manchester Municipal Technical School. With Illustrations and 157 patterns of paper dyed in the pulp. Royal 8vo, 180 pp. 1901. Price 15s.; India and Colonies. 16s.; Other Countries, 20s.; strictly net. Limited edition.
Contents.
Behaviour of the Paper Fibres during the Process of Dyeing, Theory of the Mordant—Colour Fixing Mediums (Mordants)—Influence of the Quality of the Water Used—Inorganic Colours—Organic Colours—Practical Application of the Coal Tar Colours according to their Properties and their Behaviour towards the Different Paper Fibres—Dyed Patterns on Various Pulp Mixtures—Dyeing to Shade—Index.