They both hastened on, and in a few moments they overtook the young man who awaited them on the high road; he sprang from his horse as the pastor and his daughter approached, and held out his hand.
"You were expected yesterday, Herr von Wendenstein," said the pastor; "your brother arrived the day before, and your father began to fear your leave had been refused."
"I could not come sooner--I was on duty yesterday," replied the young officer; "but that will enable me to stay two days longer. I can have some more lessons in natural history from my little mistress," he added, turning to the girl with a smile; she meanwhile was patting and caressing the horse's neck and head.
"If you are not more attentive and diligent than you were last time, you will make very little progress," said the pastor's daughter; "but give me Roland's bridle, he likes me to lead him best, and make haste to the castle; we were going there, and we shall be much more welcome if we bring you with us."
She took the horse's bridle, stepped aside, and followed the two gentlemen to the castle, leading the horse and speaking a coaxing word to him from time to time.
The approach to the castle was through a massive gateway leading into a paved court-yard, surrounded by low walls, which evidently had replaced the ancient bulwarks.
In the midst of this large enclosure stood a single linden-tree of great age; to the right and left were stables and domestic offices, apparently modern, in two large low buildings. On the further side of the court-yard was the dwelling-house itself, the remains of an edifice evidently once of immense extent. Without any architectural beauty, without even belonging to any particular period, the castle made the impression which a large and ancient mass of stone-work of vast dimensions, placed in the open country and surrounded with trees, always produces.
The enormous oaken door of the house stood open; it led into a large stone hall lighted by two great windows on the right and left of the doorway. Against the walls of this hall stood many of those immense oak chests, black with age, in which our forefathers from generation to generation stored their household treasures of linen, silver plate, their family papers, and whatever else they considered valuable and worthy of preservation.
These old coffers tell us almost as much as a family chronicle, or as some old Saga; they disappear in these modern times--there is no room for them in our modern tiny drawing-rooms, or in the boudoirs crowded with knick-knacks of the housewives of the present day. They are no longer needed; who would now dream of beginning a collection of fine linen for a daughter's trousseau as soon as she was born? it can be bought good, cheap, and above all, in the newest style at the shops. What need is there now for such deep, broad shrines to contain the silver plate of the house, when electro-plate is so beautiful, and can be changed with the fashion? However, these venerable old coffers still stood in the place of honour, and cared nothing about the generation of console-tables and tiny brackets which had taken the world by storm; above them hung dark old oil-paintings, hunting pieces with wonderfully stiff gentlemen riding equally stiff steeds, then came shepherdesses leading their flocks through very flowery meadows to the shade of woods, with long straight alleys strongly resembling Versailles; there were family portraits of old gentlemen in enormous wigs and velvet coats, in long-forgotten uniforms, and in black robes; there were smiling ladies with ruffs, fontanges, or sacks. And the old times seemed to live and breathe here quite naturally, as if it would always be the same to-day as it was yesterday, and the same to-morrow as it was to-day.
Right and left of this lofty and spacious hall, old oaken doors led to the principal sitting-rooms; opposite to the entrance was a large apartment, which in a modern house would be called the drawing-room, but here its simple and massive furniture corresponded with the rest of the castle. The only modern thing in the room was a beautiful piano; it stood open, and the music lying about it showed it was constantly used.