The civil wars had greatly reduced in numbers the historic aristocracy of Rome, and the peace which followed after so long a time and which had been so anxiously invoked, very soon began to threaten the prosperity of the remnant of that nobility with a more insidious but more inevitable ruin. About 18 B.C., when Livia was approaching her fortieth year, the men of the new generation who had not seen the civil wars, for when these ended they were either unborn or only in their infancy, were already beginning to come to the front. They brought with them a previously unknown spirit of luxury, of enjoyment, of dissipation, of rebellion against discipline, of egotism and fondness for the new, which rendered very difficult, not to say impossible, the continuation of the aristocratic régime. Women submitted with more and more repugnance to those obligatory marriages, arranged for reasons of state, which had formerly been the tradition and the sure bulwark of dominion for the aristocracy. The increase of celibacy was rendering sterile the most celebrated stocks; the most lamentable vices and disorders became tolerated and common in the most illustrious families, and ruinous habits of extravagance spread generally among that aristocracy, once so simple and austere. All this had grown up after the conquest of Egypt, which had established more points of contact with the East; and it increased in proportion as those industries and the commerce in articles of luxury which had flourished at Alexandria under the Ptolemies were gradually transplanted to Rome, where the merchants hoped to establish among their conquerors the clientele which had been lost with the fall of the Kingdom of the Nile. The ladies especially took up with the new oriental customs, and, preferring expensive stuffs and jewels, turned from the loom, which Livia had wished to preserve as the emblem of womanhood. Many young men of the great families were beginning to show a distaste for the army, for the government of the state, for jurisprudence, for all those activities which had been the jealous privilege of the nobility of the past. One gave himself up to literary pursuits, another cultivated philosophy, another busied himself only with the increase of his inherited fortune, while another lived only in pleasure and idleness. So it happened that there began to appear descendants of great houses who refused to be senators; every year an effort had to be made to find a sufficient number of candidates for the more numerous positions like the questorship, and in the army it was no easy matter to fill all the posts of the superior officers which were reserved for members of the nobility.

[Illustration: The Emperor Augustus. This statue was found in 1910 in the Via Labicana, not far from the Colosseum.]

The Roman aristocracy then, that glorious Roman aristocracy which had escaped the massacres of the proscriptions and of Philippi, ran grave danger of dying out through a species of slow suicide, if energetic measures were not taken to supply the necessary remedies. It is certain that Livia had a conspicuous part in the policy of restoring the aristocracy, to which Augustus was impelled by the old nobility, especially toward the year 18 B.C., when with this purpose in view he proposed his famous social laws. The Lex de maritandis ordinibus attempted by various penalties and promises to constrain the members of the aristocracy to contract marriage and to found a family, thus combatting the increasing inclination to celibacy and sterility. The Lex de adulteriis aimed to reestablish order and virtue in the family, by threatening the unfaithful wife and her accomplice with exile for life and the confiscation of a part of their substance. It obliged the husband to expose the crime to the tribunals; if the husband could not or would not make the accusation, it provided that the father should do so; and in case both husband and father failed, it authorized any citizen to step forth as accuser. Finally the Lex sumptuaria was designed to restrain the extravagance of wealthy families, particularly that of the women, prohibiting them from spending too large a part of the family fortune in jewels, apparel, body slaves, festivities, or buildings, especially in the building of sumptuous villas, then a growing fashion. In short, it was the purpose of these laws to bring the ladies of the Roman aristocracy to a course of conduct patterned upon the example of Livia. In the protracted discussions concerning these laws, which took place in the senate, Augustus on one occasion made a long speech in which he cited Livia as a model for the ladies of Rome. He set forth minutely the details of her household administration, telling how she lived, what relations she had with outsiders, what amusements she thought proper for a person of her rank, how she dressed and at what expense. And no one in the senate judged it unworthy of the greatness of the state or contrary to custom thus to introduce the name and person of a great lady into the public discussion of so serious a matter of governmental policy.

Livia, then, about 18 B.C. personified in the eyes of the Romans the perfect type of aristocratic great lady created by long tradition. Having been safely preserved by good fortune through the long civil wars, this model was now set back again upon a fitting pedestal in the most powerful and richest family of the empire. She was the living example of all the virtues which the Romans most cherished, a beloved wife and a heeded counselor to the head of the state, honored with that veneration which power, virtue, nobility of birth, and the dignified beauty of face and figure drew from every one; furthermore, there were her two sons, Tiberius and Drusus, both intelligent, handsome, full of activity, docile to the traditional education which she sought to give them in order that they might be the worthy continuators of the great name they bore. Livia, with all this in her favor, might have been expected to live a happy and tranquil life, serenely to fulfil her mission amid the admiration of the world.

[Illustration (top): A silver denarius of the Second Triumvirate. The portrait at the right (obverse) is of Caesar Octavianus (Augustus), with a slight beard to indicate mourning, and at the left (reverse), of Mark Antony. The date is 41 B.C.]

[Illustration (bottom): Silver coin bearing the head of Julius Caesar. This coin, a denarius, worth about seventeen cents, represents Caesar as Pontifex Maximus. Together with all the other Roman coins bearing Caesar's image, it was struck in the year before his death—44-45 B.C. The fact that Caesar placed his image on these coins may have strengthened the suspicion of his enemies that he wished to make himself king.]