"It is sometimes difficult, from the deep feeling and terse expressions of olden poetry, to understand the fundamental idea of the poet; and most difficult of all in a poem which has been handed down for centuries by popular tradition, and in which changes in the words and meaning must certainly have taken place. The first idea of the song, that mortals dwell in the mountains with the old heathen gods rests on a notion which originated in ancient times. The idea that the God of Christians is more merciful than his representative on earth has been rooted in Germany since the time of the Hohenstaufens. One may refer the origin of the poem to that period. It probably attained the form in which it is now handed down to us, about the middle of the fifteenth century, when the opposition to the hierarchy in Germany was general, both among high and low. The grand idea of this opposition was that the priests cannot forgive sins, and that only repentance, atonement, and elevation of the heart to God can avail. The copy which you have so kindly sent me, is of the early period of Luther, but we know that the song is older, and we possess various texts, in some of which it is more prominently set forth that Tanhäuser after his second fall might still trust in the divine mercy. But undoubtedly in the text you have sent me the singer considers poor Tanhäuser as lost if he did not liberate himself from the power of Venus, but that he might be saved if he did. According to popular tradition he remained with her. The great and elevating thought that man may shake off the trammels of past sin may be discovered in this poem, the poetical value of which I place as high as you do."
When Laura received this answer,--Gabriel was again her confidential messenger,--she jumped up with joy from her writing-table. She had with Ilse grieved over poor Tanhäuser, and given her friend a copy of the poem; now she ran down to her with the Doctor's letter, proud that, by means of a childish joke, at which Ilse had shaken her head, she had entered into a learned discussion. From this day the secret correspondence attained an importance for both Laura and Fritz which they had little thought of in the beginning; for Laura now ventured, when she could not satisfy herself on any subject, or took a secret interest in anything, to impart to her neighbor thoughts which hitherto had been confined to her writing-table, and the Doctor discovered with astonishment and pleasure a female mind of strong and original cast, which sought to obtain clear views from him, and unfolded itself to him with unusual confidence. These feelings might be discovered in his poems, which were no longer taken out of the portfolio, but assumed a more personal character. Laura's eyes moistened as she read the pages in which he expressed in verse his anxiety and impatience to become acquainted with his unknown correspondent. The feeling evinced in his lines was so pure, and one saw in them the good and refined character of the man so clearly that one could not fail to place full confidence in him. The old popular songs, in the first instance the main object, became gradually only the accompaniments of the secret correspondence, and the wings of Laura's enthusiastic soul soared over golden clouds, whilst Mr. Hummel growled below and Mr. Hahn suspiciously awaited fresh attacks from the enemy.
But this poetical relation with the neighbor's son, which had been established by Laura's enterprising spirit, was exposed to the same danger that threatens all poetic moods--of being at any moment destroyed by rude reality. The Doctor was never to know that she was his correspondent,--the daughter of the enemy whom he daily met, the childish girl who quarreled with him in Ilse's room about bread and butter and almonds. When they met, he was always as before the Doctor with the spectacles, and she the little snappish Hummel, who had more of her father's ill manners than Gabriel would admit. The sulking and teasing between them went on every day as formerly. Nevertheless, it was inevitable that a warm feeling should sometimes beam in Laura's eyes, and that the friendly disposition with which she really regarded the Doctor should sometimes be betrayed in a passing word. Fritz, therefore, labored under an uncertainty over which he secretly laughed, but which, nevertheless, tormented him. When he received the well-disguised handwriting he always saw Laura before him; but when he met his neighbor at his friend's she succeeded, by mocking remarks and shy reserve, in perplexing him again. Necessity compelled her to this coquetry, but it acted upon him each time like a cold blast; and then it struck him, it can not be Laura,--is it the actress?
There was general astonishment at the tea-table when the Doctor once hinted that he had been invited to a masked ball, and was not averse to attending the noisy gathering. The ball was given by a large circle of distinguished citizens, to which Mr. Hummel belonged. The peculiarity of this party was that the chief actors of the city were admitted as welcome guests. As the Doctor had hitherto never shown any inclination for this kind of social entertainment, the Professor was astonished. Laura alone guessed the cause, but all received the announcement of this unusual intended dissipation with silent pleasure.
Mr. Hummel was not of the opinion that a masked ball was the place where the worth of a German citizen was shown to greatest advantage. He had unwillingly yielded to the coaxing of the ladies in his family, and was now seen standing among the masks in the ball-room. He had thrown the little black domino carelessly about his back like a priest's mantle; his hat was pressed down over his eyes; the silk fringe of the mask overshadowed his face on all sides, which was as unmistakable as a full moon behind thin clouds. He looked mockingly on the throng of masks that streamed past him, somewhat less comfortable and more silent than they would have been without masks and colored coats. Obnoxious to him more than all were the harlequins scattered about, who, at the beginning of the festival, affected an extravagance of conduct which was not natural to them. Mr. Hummel had good eyes, but it happened to him, as to others, that he was not able to recognize every one who was masked. All the world knew him, however. Some one tugged at his clothes.
"How is your dog Spitehahn?" asked a gentleman in rococo dress, bowing to him.
Hummel bowed in return. "Thanks for your kind inquiry. I would have brought him for a bite of the calves of your legs if you had been provided with that article."
"Does this kind of a Hummel-bee sting?" asked a green domino, in a falsetto voice.
"Spare your remarks," replied Hummel, angrily; "your voice is fast changing into a woman's. I quite pity your family."
He moved on.