Gently the god raises her and tenderly kisses her brow; and thus bids farewell to the best beloved of his daughters. Slowly she sinks upon the rock. He closes her helmet and covers her with her shield. Then, with his spear, he invokes the god of fire. Tongues of flame leap from the crevices of the rock. Wildly fluttering fire breaks out on all sides. The forest beyond glows like a furnace, with brighter streaks shooting and throbbing through the mass, as Wotan, with a last look at the sleeping form of Brünnhilde, vanishes beyond the fiery circle.

A majestic orchestral passage opens Wotan's farewell to Brünnhilde. In all music for bass voice this scene has no peer. Such tender, mournful beauty has never found expression in music—and this, whether we regard the vocal part or the orchestral accompaniment in which the lovely Slumber Motive:

[[Listen]]

As Wotan leads Brünnhilde to the rock, upon which she sinks, closes her helmet, and covers her with her shield, then invokes Loge, and, after gazing fondly upon the slumbering Valkyr, vanishes amid the magic flames, the Slumber Motive, the Magic Fire Motive, and the Siegfried Motive combine to place the music of the scene with the most brilliant and beautiful portion of our heritage from the great master-musician. But here, too, lurks Destiny. Towards the close of this glorious finale we hear again the ominous muttering of the Motive of Fate. Brünnhilde may be saved from ignominy, Siegfried may be born to Sieglinde—but the crushing weight of Alberich's curse still rests upon the race of the gods.

SIEGFRIED

Music-drama in three acts, by Richard Wagner. Produced, Bayreuth, August 16, 1876. London, by the Carl Rosa Company, 1898, in English. New York, Metropolitan Opera House, November 9, 1887, with Lehmann (Brünnhilde), Fischer (Wotan), Alvary (Siegfried), and Seidl-Kraus (Forest bird).

Characters

SiegfriedTenor
MimeTenor
Wotan (disguised as the Wanderer)Baritone-Bass
AlberichBaritone-Bass
FafnerBass
ErdaContralto
Forest BirdSoprano
BrünnhildeSoprano