Photo by Hall
The Quartet in “Rigoletto”
The Duke (Sheehan), Maddalena (Albright), Gilda (Easton), Rigoletto (Goff)
After the quartet, Sparafucile comes out and receives from Rigoletto half of his fee to murder the Duke, the balance to be paid when the body, in a sack, is delivered to the hunchback. Sparafucile offers to throw the sack into the river, but that does not suit the fool's desire for revenge. He wants the grim satisfaction of doing so himself. Satisfied that Gilda has seen enough of the Duke's perfidy, he sends her home, where, for safety, she is to don male attire and start on the way to Verona, where he will join her. He himself also goes out.
A storm now gathers. There are flashes of lightning; distant rumblings of thunder. The wind moans. (Indicated by the chorus, à bouche fermée, behind the scenes.) The Duke has gone to his room, after whispering a few words to Maddalena. He lays down his hat and sword, throws himself on the bed, sings a few snatches of "La donna è mobile," and in a short time falls asleep. Maddalena, below, stands by the table. Sparafucile finishes the contents of the bottle left by the Duke. Both remain silent for awhile.
Maddalena, fascinated by the Duke, begins to plead for his life. The storm is now at its height. Lightning plays vividly across the sky, thunder crashes, wind howls, rain falls in torrents. Through this uproar of the elements, to which night adds its terrors, comes Gilda, drawn as by a magnet to the spot where she knows her false lover to be. Through the crevices in the wall of the house she can hear Maddalena pleading with Sparafucile to spare the Duke's life. "Kill the hunchback," she counsels, "when he comes with the balance of the money." But there is honour even among assassins as among thieves. The bravo will not betray a customer.
Maddalena pleads yet more urgently. Well—Sparafucile will give the handsome youth one desperate chance for life: Should any other man arrive at the inn before midnight, that man will he kill and put in the sack to be thrown into the river, in place of Maddalena's temporary favourite. A clock strikes the half-hour. Gilda is in male attire. She determines to save the Duke's life—to sacrifice hers for his. She knocks. There is a moment of surprised suspense within. Then everything is made ready. Maddalena opens the door, and runs forward to close the outer one. Gilda enters. For a moment one senses her form in the darkness. A half-stifled outcry. Then all is buried in silence and gloom.
The storm is abating. The rain has ceased; the lightning become fitful, the thunder distant and intermittent. Rigoletto returns. "At last the hour of my vengeance is nigh." A bell tolls midnight. He knocks at the door. Sparafucile brings out the sack, receives the balance of his money, and retires into the house. "This sack his winding sheet!" exclaims the hunchback, as he gloats over it. The night has cleared. He must hurry and throw it into the river.
Out of the second story of the house and on to the wall steps the figure of a man and proceeds along the wall toward the city. Rigoletto starts to drag the sack with the body toward the stream. Lightly upon the night fall the notes of a familiar voice singing: