Gounod's "Faust," Boïto's "Mefistofele," and Berlioz's "La Damnation de Faust" are the only settings of the Faust legend, or, more properly speaking, of Goethe's "Faust," with which a book on opera need concern itself. Gounod's "Faust," with its melodious score, and full of a sentiment that more than occasionally verges on sentimentality, has genuine popular appeal, and is likely long to maintain itself in the repertoire. "Mefistofele," nevertheless, is the profounder work. Boïto, in his setting, sounds Goethe's drama to greater depths than Gounod. It always will be preferred by those who do not have to be written down to. "La Damnation de Faust," notwithstanding its brilliant and still modern orchestration, is the most truly mediæval of the three scores. Berlioz himself characterizes the ballad of the King of Thule as "Gothic." The same spirit of the Middle Ages runs through much of the work. In several important details the operatic adaptation has been clumsily made. Were it improved in these details, this "Faust" of Berlioz would have a chance of more than one revival.


[F. von Flotow]

MARTHA

Opera in four acts, by Friedrich von Flotow; words by Wilhelm Friedrich Riese, the plot based on a French ballet pantomime by Jules H. Vernoy and Marquis St. Georges (see [p. 559]). Produced at the Imperial Opera House, Vienna, November 25, 1847. Covent Garden, London, July 1, 1858, in Italian; in English at Drury Lane, October 11, 1858. Paris, Théâtre Lyrique, December 16, 1865, when was interpolated the famous air "M'apparì," from Flotow's two-act opera, "L'Âme en Peine," produced at the Grand Opéra, Paris, June, 1846. New York, Niblo's Garden, November 1, 1852, with Mme. Anna Bishop; in French, at New Orleans, January 27, 1860. An opera of world-wide popularity, in which, in this country, the title rôle has been sung by Nilsson, Patti, Gerster, Kellogg, Parepa-Rosa, and Sembrich, and Lionel by Campanini and Caruso.

Characters

Lady Harriet Durham, Maid of Honor to Queen AnneSoprano
Lord Tristan de Mikleford, her cousinBass
Plunkett, a young farmerBass
Lionel, his foster-brother. Afterwards Earl of DerbyTenor
Nancy, waiting-maid to Lady HarrietContralto
SheriffBass
Three Man Servants{Tenor and two Basses
Three Maid Servants{Soprano and two Mezzo-Sopranos

Courtiers, pages, ladies, hunters and huntresses, farmers, servants, etc.

Time—About 1710.

Place—In and near Richmond.