From a hiding place Nourabad has witnessed the scene. When the people return, he denounces Zurga's act in setting fire to the camp and permitting Leila and Nadir to escape. Zurga is compelled to mount the pyre. A deep glow indicates that the forest is ablaze. The people prostrate themselves to Brahma, whose wrath they fear.
Leila is for soprano, Nadir tenor, Zurga baritone, Nourabad bass.
In the performance with Calvé only two acts were given. The rest of the program consisted of "La Navarraise," by Massenet.
DJAMILEH
"Djamileh," produced at the Opéra Comique, is in one act, words by Louis Gallet, based on Alfred de Musset's poem, "Namouna." The scene is Cairo, the time mediæval.
Djamileh, a beautiful slave, is in love with her master, Prince Haroun, a Turkish nobleman, who is tired of her and is about to sell her. She persuades his secretary, Splendiano, who is in love with her, to aid her in regaining her master's affections. She will marry Splendiano if she fails.
Accordingly, with the secretary's aid, when the slave dealer arrives, she is, in disguise, among the slaves offered to Haroun. She dances. Haroun is entranced, and immediately buys her. When she discloses her identity, and pleads that her ruse was prompted by her love for him, he receives her back into his affections.
Djamileh is for mezzo-soprano, the men's rôles for tenor. Besides the dance, there are a duet for the men, "Que l'esclave soit brune ou blonde" (Let the slave be dark or fair); a trio, "Je voyais au loin la mer s'étendre" (The distant sea have I beheld extending); and the chorus, "Quelle est cette belle" (Who is the charmer).