The Walhalla Motive swells to a majestic climax and the gods enter the castle. Amid shimmering arpeggios the Rainbow Motive resounds. The gods have attained the height of their glory—but the Nibelung's curse is still potent, and it will bring woe upon all who have possessed or will possess the ring until it is restored to the Rhinedaughters. Fasolt was only the first victim of Alberich's curse.

DIE WALKÜRE
THE VALKYR

Music-drama in three acts, words and music by Richard Wagner. Produced, Munich, June 25, 1870. New York, Academy of Music, April 2, 1877, an incomplete and inadequate performance with Pappenheim as Brünnhilde, Pauline Canissa Sieglinde, A. Bischoff Siegmund, Felix Preusser Wotan, A. Blum Hunding, Mme. Listner Fricka, Frida de Gebel, Gerhilde, Adolf Neuendorff, conductor. The real first performance in America was conducted by Dr. Leopold Damrosch at the Metropolitan Opera House, January 30, 1885, with Materna, the original Bayreuth Brünnhilde in that rôle, Schott as Siegmund, Seidl-Kraus as Sieglinde, Marianne Brandt as Fricka, Staudigl as Wotan, and Kögel as Hunding.

Characters

SiegmundTenor
HundingBass
WotanBaritone-Bass
SieglindeSoprano
BrünnhildeSoprano
FrickaMezzo-Soprano

Valkyrs (Sopranos and Mezzo-Sopranos): Gerhilde, Ortlinde, Waltraute, Schwertleite, Helmwige, Siegrune, Grimgerde, Rossweisse.

Time—Legendary.

Place—Interior of Hunding's hut; a rocky height; the peak of a rocky mountain (the Brünnhilde-rock).

Wotan's enjoyment of Walhalla was destined to be short-lived. Filled with dismay by the death of Fasolt in the combat of the giants for the accursed ring, and impelled by a dread presentiment that the force of the curse would be visited upon the gods, he descended from Walhalla to the abode of the all-wise woman, Erda, who bore him nine daughters. These were the Valkyrs, headed by Brünnhilde—the wild horsewomen of the air, who on winged steeds bore the dead heroes to Walhalla, the warriors' heaven. With the aid of the Valkyrs and the heroes they gathered to Walhalla, Wotan hoped to repel any assault upon his castle by the enemies of the gods.

But though the host of heroes grew to a goodly number, the terror of Alberich's curse still haunted the chief of gods. He might have freed himself from it had he returned the ring and helmet made of Rhinegold to the Rhinedaughters, from whom Alberich filched it; but in his desire to persuade the giants to relinquish Freia, whom he had promised to them as a reward for building Walhalla, he, having wrested the ring from Alberich, gave it to the giants instead of returning it to the Rhinedaughters. He saw the giants contending for the possession of the ring and saw Fasolt slain—the first victim of Alberich's curse. He knows that the giant Fafner, having assumed the shape of a huge serpent, now guards the Nibelung treasure, which includes the ring and the Tarnhelmet, in a cave in the heart of a dense forest. How shall the Rhinegold be restored to the Rhinedaughters?