However far the affair may or may not have progressed at this time, there was a curious interruption during the following year. Robert appears to have temporarily lost his heart to a certain Ernestine von Fricken, a young lady of sixteen, who was one of Wieck's pupils. Clara consoled herself by permitting a musician named Banck to pay her attention. For reasons which never have been clearly explained, Schumann suddenly broke with Ernestine and turned with renewed ardor to Clara, while Clara at once withdrew her affections from Banck and retransferred them to Schumann. We find him writing to her again in 1835:

"Through all the Autumn festivals there looks out an angel's head that closely resembles a certain Clara who is very well known to me." By the following year, Clara then being seventeen, things evidently had gone so far that, between themselves, they were engaged. "Fate has destined us for each other," he writes to her. "I myself knew that long ago, but I had not the courage to tell you sooner, nor the hope to be understood by you."

Wieck evidently had remained in ignorance of the young people's attachment, for, when on Clara's birthday the following year (1837) Schumann made formal application in writing for her hand, her father gave an evasive answer, and on the suit being pressed, he, who had been almost like a second father to Robert, became his bitter enemy. Clara, however, remained faithful to her lover through the three years of unhappiness which her father's sudden hatred of Robert caused them. In 1839 she was in Paris, and from there she wrote to her father:

"My love for Schumann is, it is true, a passionate love; I do not, however, love him solely out of passion and sentimental enthusiasm, but, furthermore, because I think him one of the best of men, because I believe no other man could love me as purely and nobly as he or so understandingly; and I believe, also, on my part that I can make him wholly happy through allowing him to possess me, and that I understand him as no other woman could."

This love obviously was one not lightly bestowed, but Wieck remained obdurate and refused his consent. Then Schumann took the only step that under the circumstances was possible. Wieck's refusal of his consent being a legal bar to the marriage, Robert invoked the law to set his future father-in-law's objections aside. The case was tried, decided in Schumann's favor, and on September 12, 1840, Robert Schumann and Clara Wieck were married in the village of Schönefeld, near Leipsic. That year Schumann composed no less than one hundred and thirty-eight songs, among them some of his most beautiful. They were his wedding gift to Clara.

After their marriage his inspiration blossomed under her very eyes. She was the companion of his innermost thoughts and purposes. Meanwhile his musical genius and critical acumen ever were at her command in her work as a pianist. Happily, too, a reconciliation was effected with Wieck, and we find Clara writing to him about the first performance of Schumann's piano quintet (now ranked as one of the finest compositions of its class), on which occasion she, of course, played the piano part.

Four years after their marriage the Schumanns removed to Dresden, remaining there until 1850, when they settled in Düsseldorf, where Robert had been appointed musical director. There was but one shadow over their lives. At times a deep melancholy came over him, and in this Clara discerned with dread possible symptoms of coming mental disorder. Her fears were only too well founded. Early in February, 1854, he arose during the night and demanded light, saying that Schubert had appeared to him and given him a melody which he must write out forthwith. On the 27th of the same month, he quietly left his house, went to the bridge across the Rhine and threw himself into the river. Boatmen prevented his intended suicide. When he was brought home and had changed his wet clothes for dry ones, he sat down to work on a variation as if nothing had happened. Within less than a week he was removed at his own request to a sanatorium at Endenich, where he died July 29, 1856.

[Illustration: The Schumann Monument in the Bonn Cemetery.]