I clasp your hand warmly, and beg you to believe me yours, with true affection.
TO GEORGE SAND.
Croisset, Wednesday evening, Sept. 9, 1868.
Is this handsome conduct, dear master? Two months have passed since you wrote last to your old troubadour! Are you in Paris, Nohant, or where?
They say that Cadio is being rehearsed at the Porte Saint-Martin (are you very sorry, you and Chilly?). They say also, that Thuillier will make her reappearance in your play. (I thought she was dying—I mean Thuillier, not your play.) And when will Cadio be produced. Are you pleased?
I live absolutely like an oyster. My romance is the rock to which I cling, and I know nothing of what is going on in the world. I do not even read, or rather, I read only the Lanterne. Rochefort bores me, to tell the truth. One must, however, have considerable bravery to dare to say, even timidly, that perhaps he is not the first writer of the century! O Velches! Velches! as Monsieur de Voltaire would sigh, or rather, roar!
And Sainte-Beuve—do you see him? I am working furiously. I have just written a description of the forest of Fontainebleau, which has filled me with a desire to hang myself on one of its trees! I was interrupted for three weeks, and had a hard task to put myself in train to work again. I have the peculiarity of a camel—I find it difficult to stop when once I get started, and hard to start after I have been resting. I have worked steadily for a year at a time. After which I loafed definitely, like a bourgeois. It was difficult at first, and not at all pleasant. It is time now that I should do something fine, something that shall please me. That which would please me greatly for a quarter of an hour would be to embrace you! When shall I be able to do so? From now until that time, I send you a thousand sweet thoughts.
TO MAXIME DUCAMP.
Croisset, July 23, 1869.
My good old Max: I feel the need of writing you a long letter. I do not know whether I shall have strength, but I will try.