This was believed to be the family burying-place; but nothing would have been found in it except a broad well. It was dug out merely to baffle robbers, and it concealed nothing. Hamilcar passed along beside it; then stooping down he made a very heavy millstone turn upon its rollers, and through this aperture entered an apartment which was built in the shape of a cone.
The walls were covered with scales of brass; and in the centre, on a granite pedestal, stood the statue of one of the Kabiri called Aletes, the discoverer of the mines in Celtiberia. On the ground, at its base, and arranged in the form of a cross, were large gold shields and monster close-necked silver vases, of extravagant shape and unfitted for use; it was customary to cast quantities of metal in this way, so that dilapidation and even removal should be almost impossible.
With his torch he lit a miner’s lamp which was fastened to the idol’s cap, and green, yellow, blue, violet, wine-coloured, and blood-coloured fires suddenly illuminated the hall. It was filled with gems which were either in gold calabashes fastened like sconces upon sheets of brass, or were ranged in native masses at the foot of the wall. There were callaides shot away from the mountains with slings, carbuncles formed by the urine of the lynx, glossopetræ which had fallen from the moon, tyanos, diamonds, sandastra, beryls, with the three kinds of rubies, the four kinds of sapphires, and the twelve kinds of emeralds. They gleamed like splashes of milk, blue icicles, and silver dust, and shed their light in sheets, rays, and stars. Ceraunia, engendered by the thunder, sparkled by the side of chalcedonies, which are a cure for poison. There were topazes from Mount Zabarca to avert terrors, opals from Bactriana to prevent abortions, and horns of Ammon, which are placed under the bed to induce dreams.
The fires from the stones and the flames from the lamp were mirrored in the great golden shields. Hamilcar stood smiling with folded arms, and was less delighted by the sight of his riches than by the consciousness of their possession. They were inaccessible, exhaustless, infinite. His ancestors sleeping beneath his feet transmitted something of their eternity to his heart. He felt very near to the subterranean deities. It was as the joy of one of the Kabiri; and the great luminous rays striking upon his face looked like the extremity of an invisible net linking him across the abysses with the centre of the world.
A thought came which made him shudder, and placing himself behind the idol he walked straight up to the wall. Then among the tattooings on his arm he scrutinised a horizontal line with two other perpendicular ones which in Chanaanitish figures expressed the number thirteen. Then he counted as far as the thirteenth of the brass plates and again raised his ample sleeve; and with his right hand stretched out he read other more complicated lines on his arm, at the same time moving his fingers daintily about like one playing on a lyre. At last he struck seven blows with his thumb, and an entire section of the wall turned about in a single block.
It served to conceal a sort of cellar containing mysterious things which had no name and were of incalculable value. Hamilcar went down the three steps, took up a llama’s skin which was floating on a black liquid in a silver vat, and then re-ascended.
Abdalonim again began to walk before him. He struck the pavement with his tall cane, the pommel of which was adorned with bells, and before every apartment cried aloud the name of Hamilcar amid eulogies and benedictions.
Along the walls of the circular gallery, from which the passages branched off, were piled little beams of algummim, bags of Lawsonia, cakes of Lemnos-earth, and tortoise carapaces filled with pearls. The Suffet brushed them with his robe as he passed without even looking at some gigantic pieces of amber, an almost divine material formed by the rays of the sun.
A cloud of odorous vapour burst forth.
“Push open the door!”