He stood there without advancing a step. The two little dogs kept yelping continually. At length Rosanette appeared, wrapped up in a sort of dressing-gown of white muslin trimmed with lace, and with her stockingless feet in Turkish slippers.
"Ah! excuse me, Monsieur! I thought it was the hairdresser. One minute; I am coming back!"
And he was left alone in the dining-room. The Venetian blinds were closed. Frederick, as he cast a glance round, was beginning to recall the hubbub of the other night, when he noticed on the table, in the middle of the room, a man's hat, an old felt hat, bruised, greasy, dirty. To whom did this hat belong? Impudently displaying its torn lining, it seemed to say:
"I have the laugh, after all! I am the master!"
The Maréchale suddenly reappeared on the scene. She took up the hat, opened the conservatory, flung it in there, shut the door again (other doors flew open and closed again at the same moment), and, having brought Frederick through the kitchen, she introduced him into her dressing-room.
It could at once be seen that this was the most frequented room in the house, and, so to speak, its true moral centre. The walls, the armchairs, and a big divan with a spring were adorned with a chintz pattern on which was traced a great deal of foliage. On a white marble table stood two large washhand-basins of fine blue earthenware. Crystal shelves, forming a whatnot overhead, were laden with phials, brushes, combs, sticks of cosmetic, and powder-boxes. The fire was reflected in a high cheval-glass. A sheet was hanging outside a bath, and odours of almond-paste and of benzoin were exhaled.
"You'll excuse the disorder. I'm dining in the city this evening."
And as she turned on her heel, she was near crushing one of the little dogs. Frederick declared that they were charming. She lifted up the pair of them, and raising their black snouts up to her face:
"Come! do a laugh—kiss the gentleman!"
A man dressed in a dirty overcoat with a fur collar here entered abruptly.