"What is the use of talking about all these things," said he, "when we'll never have them?"
"Who knows?" returned Deslauriers.
In spite of his democratic views, he urged Frederick to get an introduction into the Dambreuses' house.
The other, by way of objection, pointed to the failure of his previous attempts.
"Bah! go back there. They'll give you an invitation!"
Towards the close of the month of March, they received amongst other bills of a rather awkward description that of the restaurant-keeper who supplied them with dinners. Frederick, not having the entire amount, borrowed a hundred crowns from Deslauriers. A fortnight afterwards, he renewed the same request, and the clerk administered a lecture to him on the extravagant habits to which he gave himself up in the Arnoux's society.
As a matter of fact, he put no restraint upon himself in this respect. A view of Venice, a view of Naples, and another of Constantinople occupying the centre of three walls respectively, equestrian subjects by Alfred de Dreux here and there, a group by Pradier over the mantelpiece, numbers of L'Art Industriel lying on the piano, and works in boards on the floor in the corners, encumbered the apartment which he occupied to such an extent that it was hard to find a place to lay a book on, or to move one's elbows about freely. Frederick maintained that he needed all this for his painting.
He pursued his art-studies under Pellerin. But when he called on the artist, the latter was often out, being accustomed to attend at every funeral and public occurrence of which an account was given in the newspapers, and so it was that Frederick spent entire hours alone in the studio. The quietude of this spacious room, which nothing disturbed save the scampering of the mice, the light falling from the ceiling, or the hissing noise of the stove, made him sink into a kind of intellectual ease. Then his eyes, wandering away from the task at which he was engaged, roamed over the shell-work on the wall, around the objects of virtù on the whatnot, along the torsos on which the dust that had collected made, as it were, shreds of velvet; and, like a traveller who has lost his way in the middle of a wood, and whom every path brings back to the same spot, continually, he found underlying every idea in his mind the recollection of Madame Arnoux.
He selected days for calling on her. When he had reached the second floor, he would pause on the threshold, hesitating as to whether he ought to ring or not. Steps drew nigh, the door opened, and the announcement "Madame is gone out," a sense of relief would come upon him, as if a weight had been lifted from his heart. He met her, however. On the first occasion there were three other ladies with her; the next time it was in the afternoon, and Mademoiselle Marthe's writing-master came on the scene. Besides, the men whom Madame Arnoux received were not very punctilious about paying visits. For the sake of prudence he deemed it better not to call again.
But he did not fail to present himself regularly at the office of L'Art Industriel every Wednesday in order to get an invitation to the Thursday dinners, and he remained there after all the others, even longer than Regimbart, up to the last moment, pretending to be looking at an engraving or to be running his eye through a newspaper. At last Arnoux would say to him, "Shall you be disengaged to-morrow evening?" and, before the sentence was finished, he would give an affirmative answer. Arnoux appeared to have taken a fancy to him. He showed him how to become a good judge of wines, how to make hot punch, and how to prepare a woodcock ragoût. Frederick followed his advice with docility, feeling an attachment to everything connected with Madame Arnoux—her furniture, her servants, her house, her street.