Rosanette was up all night with the child.
In the morning she went to look for Frederick.
"Just come and look at him. He doesn't move any longer."
In fact, he was dead. She took him up, shook him, clasped him in her arms, calling him most tender names, covered him with kisses, broke into sobs, turned herself from one side to the other in a state of distraction, tore her hair, uttered a number of shrieks, and then let herself sink on the edge of the divan, where she lay with her mouth open and a flood of tears rushing from her wildly-glaring eyes.
Then a torpor fell upon her, and all became still in the apartment. The furniture was overturned. Two or three napkins were lying on the floor. It struck six. The night-light had gone out.
Frederick, as he gazed at the scene, could almost believe that he was dreaming. His heart was oppressed with anguish. It seemed to him that this death was only a beginning, and that behind it was a worse calamity, which was just about to come on.
Suddenly, Rosanette said in an appealing tone:
"We'll preserve the body—shall we not?"
She wished to have the dead child embalmed. There were many objections to this. The principal one, in Frederick's opinion, was that the thing was impracticable in the case of children so young. A portrait would be better. She adopted this idea. He wrote a line to Pellerin, and Delphine hastened to deliver it.
Pellerin arrived speedily, anxious by this display of zeal to efface all recollection of his former conduct. The first thing he said was: