Frederick examined the newspapers to try to find out what had become of him, and for three weeks he was a constant visitor at the reading-rooms.
One day several numbers of the Flambard fell into his hands. The leading article was invariably devoted to cutting up some distinguished man. After that came some society gossip and some scandals. Then there were some chaffing observations about the Odéon Carpentras, pisciculture, and prisoners under sentence of death, when there happened to be any. The disappearance of a packet-boat furnished materials for a whole year's jokes. In the third column a picture-canvasser, under the form of anecdotes or advice, gave some tailors' announcements, together with accounts of evening parties, advertisements as to auctions, and analysis of artistic productions, writing in the same strain about a volume of verse and a pair of boots. The only serious portion of it was the criticism of the small theatres, in which fierce attacks were made on two or three managers; and the interests of art were invoked on the subjects of the decorations of the Rope-dancers' Gymnasium and of the actress who played the part of the heroine at the Délassements.
Frederick was passing over all these items when his eyes alighted on an article entitled "A Lass between three Lads." It was the story of his duel related in a lively Gallic style. He had no difficulty in recognising himself, for he was indicated by this little joke, which frequently recurred: "A young man from the College of Sens who has no sense." He was even represented as a poor devil from the provinces, an obscure booby trying to rub against persons of high rank. As for the Vicomte, he was made to play a fascinating part, first by having forced his way into the supper-room, then by having carried off the lady, and, finally, by having behaved all through like a perfect gentleman.
Frederick's courage was not denied exactly, but it was pointed out that an intermediary—the protector himself—had come on the scene just in the nick of time. The entire article concluded with this phrase, pregnant perhaps with sinister meaning:
"What is the cause of their affection? A problem! and, as Bazile says, who the deuce is it that is deceived here?"
This was, beyond all doubt, Hussonnet's revenge against Frederick for having refused him five thousand francs.
What was he to do? If he demanded an explanation from him, the Bohemian would protest that he was innocent, and nothing would be gained by doing this. The best course was to swallow the affront in silence. Nobody, after all, read the Flambard.
As he left the reading-room, he saw some people standing in front of a picture-dealer's shop. They were staring at the portrait of a woman, with this fine traced underneath in black letters: "Mademoiselle Rosanette Bron, belonging to M. Frederick Moreau of Nogent."
It was indeed she—or, at least, like her—her full face displayed, her bosom uncovered, with her hair hanging loose, and with a purse of red velvet in her hands, while behind her a peacock leaned his beak over her shoulder, covering the wall with his immense plumage in the shape of a fan.
Pellerin had got up this exhibition in order to compel Frederick to pay, persuaded that he was a celebrity, and that all Paris, roused to take his part, would be interested in this wretched piece of work.