She gave him her gloves, and, the week after, her handkerchief. She called him "Frederick;" he called her "Marie," adoring this name, which, as he said, was expressly made to be uttered with a sigh of ecstasy, and which seemed to contain clouds of incense and scattered heaps of roses.
They soon came to an understanding as to the days on which he would call to see her; and, leaving the house as if by mere chance, she walked along the road to meet him.
She made no effort whatever to excite his love, lost in that listlessness which is characteristic of intense happiness. During the whole season she wore a brown silk dressing-gown with velvet borders of the same colour, a large garment, which united the indolence of her attitudes and her grave physiognomy. Besides, she had just reached the autumnal period of womanhood, in which reflection is combined with tenderness, in which the beginning of maturity colours the face with a more intense flame, when strength of feeling mingles with experience of life, and when, having completely expanded, the entire being overflows with a richness in harmony with its beauty. Never had she possessed more sweetness, more leniency. Secure in the thought that she would not err, she abandoned herself to a sentiment which seemed to her won by her sorrows. And, moreover, it was so innocent and fresh! What an abyss lay between the coarseness of Arnoux and the adoration of Frederick!
He trembled at the thought that by an imprudent word he might lose all that he had gained, saying to himself that an opportunity might be found again, but that a foolish step could never be repaired. He wished that she should give herself rather than that he should take her. The assurance of being loved by her delighted him like a foretaste of possession, and then the charm of her person troubled his heart more than his senses. It was an indefinable feeling of bliss, a sort of intoxication that made him lose sight of the possibility of having his happiness completed. Apart from her, he was consumed with longing.
Ere long the conversations were interrupted by long spells of silence. Sometimes a species of sexual shame made them blush in each other's presence. All the precautions they took to hide their love only unveiled it; the stronger it grew, the more constrained they became in manner. The effect of this dissimulation was to intensify their sensibility. They experienced a sensation of delight at the odour of moist leaves; they could not endure the east wind; they got irritated without any apparent cause, and had melancholy forebodings. The sound of a footstep, the creaking of the wainscoting, filled them with as much terror as if they had been guilty. They felt as if they were being pushed towards the edge of a chasm. They were surrounded by a tempestuous atmosphere; and when complaints escaped Frederick's lips, she made accusations against herself.
"Yes, I am doing wrong. I am acting as if I were a coquette! Don't come any more!"
Then he would repeat the same oaths, to which on each occasion she listened with renewed pleasure.
His return to Paris, and the fuss occasioned by New Year's Day, interrupted their meetings to some extent. When he returned, he had an air of greater self-confidence. Every moment she went out to give orders, and in spite of his entreaties she received every visitor that called during the evening.
After this, they engaged in conversations about Léotade, M. Guizot, the Pope, the insurrection at Palermo, and the banquet of the Twelfth Arrondissement, which had caused some disquietude. Frederick eased his mind by railing against Power, for he longed, like Deslauriers, to turn the whole world upside down, so soured had he now become. Madame Arnoux, on her side, had become sad.
Her husband, indulging in displays of wild folly, was flirting with one of the girls in his pottery works, the one who was known as "the girl from Bordeaux." Madame Arnoux was herself informed about it by Frederick. He wanted to make use of it as an argument, "inasmuch as she was the victim of deception."