A purple flood gushes forth. The priests sprinkle the crowd with it; and all—including Antony and Hilarion—ranged around the burning tree, silently watch the last palpitations of the victim. From the midst of the priests comes a woman, exactly like the image enclosed in the little box. She stops on seeing a young man in a Phrygian cap.

His thighs are covered with tight-fitting breeches opened here and there by lozenges which are fastened with coloured bows. He rests his elbows against one of the branches of the tree, holding a flute in his hand, in a languishing attitude.

Cybele, encircling his figure with her arms—

"To rejoin thee I have travelled through every region—and famine ravaged the fields. Thou hast deceived me! No matter,—I love thee! Warm my body! Let us unite!"

Atys—"The spring-time will return no more, O eternal Mother! Despite my love, it is not possible to penetrate thy essence. I should like to cover myself with a coloured robe like thine. I envy thy breasts, swollen with milk, the length of thy tresses, thy mighty sides from which spring living creatures. Would that I were like thee! Would that I were woman! But no! that can never be! My virility fills me with horror!"

With a sharp stone he mutilates himself; then he begins to run madly around.

The priests imitate the god; the faithful, the priests. Men and women exchange their garments and embrace one another; and this whirlwind of blood-stained flesh hurries away, whilst the voices, ever continuing, become more clamorous and shrill, like those one hears at funerals.

A great catafalque hung with purple carries on its summit a bed of ebony, surrounded by torches and baskets of silver filigree, in which are contained green lettuces, mallows, and fennel. Upon the seats, above and below, are seated women, all attired in black, with girdles undone and naked feet, and holding with a melancholy air huge bouquets of flowers.

On the ground, at the corners of the platform, alabaster urns filled with myrrh are sending up light wreaths of smoke. On the bed may be seen the corpse of a man. Blood trickles from his thigh. His arm is hanging down, and a dog, who is howling, licks his nails. The line of torches placed too close to one another prevents his figure from being completely visible. Antony is seized with anguish. He is afraid of seeing the face of some one he knew.

The women cease their sobbing; and, after an interval of silence, all, at the same time, burst into a psalm: