The races are about to begin; the horses fall into line. Tall plumes fixed between their ears sway in the wind like trees; and in their leaps they shake the chariots in the form of shells, driven by coachmen wearing a kind of many-coloured cuirass with sleeves narrow at the wrists and wide in the arms, with legs uncovered, full beard, and hair shaven above the forehead after the fashion of the Huns.
Antony is deafened by the murmuring of voices. Above and below he perceives nothing but painted faces, motley garments, and plates of worked gold; and the sand of the arena, perfectly white, shines like a mirror.
The Emperor converses with him, confides to him some important secrets, informs him of the assassination of his own son Crispus, and goes so far as to consult Antony about his health.
Meanwhile, Antony perceives slaves at the end of the stalls. They are the fathers of the Council of Nicæa, in rags, abject. The martyr Paphnutius is brushing a horse's mane; Theophilus is scrubbing the legs of another; John is painting the hoofs of a third; while Alexander is picking up their droppings in a basket.
Antony passes among them. They salaam to him, beg of him to intercede for them, and kiss his hands. The entire crowd hoots at them; and he rejoices in their degradation immeasurably. And now he has become one of the great ones of the Court, the Emperor's confidant, first minister! Constantine places the diadem on his forehead, and Antony keeps it, as if this honour were quite natural to him.
And presently is disclosed, beneath the darkness, an immense hall, lighted up by candelabra of gold.
Columns, half lost in shadow so tall are they, run in a row behind the tables, which stretch to the horizon, where appear, in a luminous haze, staircases placed one above another, successions of archways, colossi, towers; and, in the background, an unoccupied wing of the palace, which cedars overtop, making blacker masses above the darkness.
The guests, crowned with violets, lean upon their elbows on low-lying couches. Beside each one are placed amphorae, from which they pour out wine; and, at the very end, by himself, adorned with the tiara and covered with carbuncles, King Nebuchadnezzar is eating and drinking. To right and left of him, two theories of priests, with peaked caps, are swinging censers. Upon the ground are crawling captive kings, without feet or hands, to whom he flings bones to pick. Further down stand his brothers, with shades over their eyes, for they are perfectly blind.
A constant lamentation ascends from the depths of the ergastula. The soft and monotonous sounds of a hydraulic organ alternate with the chorus of voices; and one feels as if all around the hall there was an immense city, an ocean of humanity, whose waves were beating against the walls.
The slaves rush forward carrying plates. Women run about offering drink to the guests. The baskets groan under the load of bread, and a dromedary, laden with leathern bottles, passes to and fro, letting vervain trickle over the floor in order to cool it.