Romantic legends of Spain

by Gustavo Adolfo Bécquer

Hard by the village, and above a height which dominated the country round about, there was an ancient castle abandoned by its owners. The old women, in their evening gossips, would relate a marvellous story about its founders. They told how the King of Aragon, finding himself at war with his enemies, his resources exhausted, forsaken by his allies and on the point of losing the throne, was sought out one day by a shepherdess of those parts, who, after revealing to him the existence of certain subterranean passages by means of which he could go through the Moncayo without being perceived by his enemies, gave him a treasure in fine pearls, precious stones of the richest, and bars of gold and silver; with these the king paid his troops, raised a mighty army and, marching beneath the earth one whole night long, fell the next day upon his adversaries and routed them, establishing the crown securely on his head.

After he had won so distinguished a victory, the story goes that the king said to the shepherdess: “Ask of me what thou wilt, and even though it be the half of my kingdom, I swear I will give it thee on the instant.”

“I wish no more than to go back to the keeping of my flock,” replied the shepherdess. “Thou shalt keep only my frontiers,” rejoined the king, and he gave her lordship over all the boundary, and bade her build a stronghold in the town nearest the borders of Castile; here dwelt the shepherdess, married to one of the king’s favorites, a husband noble, gallant, valiant and, as well, lord over many fortresses and many fiefs.

The astonishing account given by Uncle Gregorio of the Moncayo gnomes, whose secret haunt was in the village fountain, set soaring anew the wild dreams of the two enamored sisters, for it formed a sequel, so to speak, to the hitherto unexplained tradition of the treasure found by the fabled shepherdess—treasure whose remembered gleam had troubled more than once their wakeful, embittered nights, flashing before their imaginations like a fragile ray of hope.

The evening following their afternoon meeting with Uncle Gregorio, all the other girls of the village chatted in their homes about the wonderful story he had told them. Marta and Magdalena preserved an unbroken silence, and neither that evening, nor throughout the following day, did they exchange a single word on this matter, the theme of all the talk throughout the hamlet and text of all the neighbors’ commentaries.

At the usual hour, Magdalena took her water-jar and said to her sister: “Shall we go to the fountain?” Marta did not answer, and Magdalena said again: “Shall we go to the fountain? If we do not hurry, the sun will have set before we are back.” Marta finally replied shortly and roughly: “I don’t care about going to-day.” “Neither do I,” rejoined Magdalena after an instant of silence during which she kept her eyes fastened on those of her sister, as if she would read in them the cause of her resolution.

III.

For nearly an hour the village girls had been back in their homes. The last glow of sunset had faded on the horizon, and the night was beginning to close in more and more darkly, when Marta and Magdalena, each avoiding the other, left the hamlet by different paths in the direction of the mysterious fountain. The fountain welled up in a hidden nook among some steep, mossy rocks at the further end of a deep grove. Now that the sounds of the day had ceased little by little, and no longer was heard the distant echo of voices from the laborers who return home in knightly fashion, mounted on their yoked oxen and trolling out songs to the accompaniment of the beam of the plough they go dragging over the ground,—now that the monotonous clang of the sheep-bells had gone beyond hearing, together with the shouts of the shepherds and the barking of their dogs gathering the flocks together,—now that there had sounded in the village-tower the last peal of the call to prayers, there reigned august that double silence of night and solitude, a silence full of strange, soft murmurs making it yet more perceptible.

Marta and Magdalena slipped through the labyrinth of the trees and, sheltered by the darkness, arrived without seeing each other at the far end of the grove. Marta knew no fear; her steps were firm and unfaltering. Magdalena trembled at the mere rustle made by her feet as they trod upon the dry leaves carpeting the ground. When the two sisters were close to the fountain, the night wind began to stir the branches of the poplars, and to their uneven, sighing whispers the springing water seemed to make answer with a steady, regular murmur.

Marta and Magdalena lent attention to those soft noises of the night,—those that flowed beneath their feet like a continuous ripple of laughter, and those that floated above their heads like a lament rising and falling only to rise again and spread through the foliage of the grove. As the hours went on, that unceasing sound of the air and of the water began to produce in them a strange exaltation, a kind of dizziness that, clouding the eyes and humming in the ears, seemed to confuse them utterly. Then as one hears in dreams the far, vague echo of speech, they seemed to perceive, amid those nameless noises, inarticulate sounds as of a child who would call his mother and cannot; then words repeated over and over, always the same; then disconnected, inconsequent phrases, without order or meaning, and at last—at last the wind wandering among the trees, and the water leaping from rock to rock, commenced to speak.