"No such luck," he answered. "I have not been permitted that pleasure. From all accounts, however, she is really very wonderful. All the people I have met who have heard her declare they have never known anything like her playing. And the funniest part of it is, she is accompanied everywhere by a man who is as physically repulsive as she is beautiful."
"A little old man with an extraordinary complexion, deep-set, horrible eyes, who wears a fur coat and a peculiar cap in the height of the season, and looks at least a hundred years old?"
"From all accounts you describe him exactly. Where did you meet him?"
"I saw them both at the Academy this afternoon," I answered. "She is, as you say, very beautiful; but she scarcely struck me as being English."
"She is not. She is Hungarian, I believe, but she has travelled a great deal and speaks English perfectly."
"And her companion—what nation has the honour of claiming him as her son?"
"Ah, that I can not tell you! He is a mystery, for no one seems to know anything about him. Nor is it at all certain what relationship he bears to the woman. But see, here is Lord Medenham. The performance is evidently about to commence."
As he spoke there was a general turning of heads in the direction of the anteroom, and almost simultaneously my hostess entered the room, accompanied by the exquisite creature I had seen emerging from the crowd before my picture that afternoon. If she had looked beautiful then, she was doubly so now. Dressed to perfection, as on the previous occasion, she towered head and shoulders above Lady Medenham, who is generally considered tall for her sex, and carried herself with a more imperial grace than is boasted by any empress I have ever seen.
A few paces behind her followed the man who had been her companion that afternoon. On this occasion also he disdained the orthodox style of dress, wore a black velvet coat, closely buttoned beneath his chin, and upon his head a skullcap of the same material. As on the previous occasions, he walked with a stick, leaning upon it heavily like an old man of ninety. Reaching that portion of the room in which the piano was situated, he dropped into a chair, without waiting for his hostess to seat herself, and, laying his head back, closed his eyes as if the exertion of walking had been too much for him. A servant, who had followed close behind, wrapped a heavy rug about his knees and then withdrew. Meanwhile his beautiful companion stood for a moment looking down at him, and then, with a little gesture the significance of which I could not then interpret, accepted her hostess's invitation and seated herself beside her.
The first item on the programme was a nocturne rendered by the composer, a famous pianist who at the time was delighting all London. He seated himself at the piano and began to play. I am afraid, however, I spared but small attention for his performance. My interest was centred on that huddled-up figure under the fur rug and the beautiful creature at his side. Then a change came, and once more I experienced the same sensation of revulsion that had overwhelmed me twice before. Again I felt sick and giddy; once more a clammy sweat broke out upon my forehead, and at last, unable any longer to control myself, I rose from my seat.