“That is what I have been asking myself,” Fensden replied. “The man, whoever he was, must have borne you a fiendish grudge to have done such a thing. Is there anything about the box that will afford a clew as to the identity of the sender? Let us look.”
He examined the box carefully, but, beyond the printed name of the firm who had originally used it, there was nothing that could serve as a clew. It had come by train from Euston, and had been sent off on the previous evening. That for the present was all there was to know about it.
“Once more, what are we to do?” inquired Fensden.
“Communicate with the police,” said Godfrey. “In the meantime, I think I will send a note to my future father-in-law, asking him to come over. I should like to have his help and support in the matter.”
“A very proper course,” said his companion. “I don’t think you could do better. I should send a man away at once.”
Accordingly Godfrey went to a writing-table in the corner of the room, and wrote the letter, then rang the bell, and bade the servant who answered it see that the note was despatched without delay. When the man had disappeared, he turned to Fensden once more. “And now,” he said, “I think it would be better if we removed the box to the studio.”
They did so, by way of the new conservatory, of which mention has been made elsewhere. Then, in something less than an hour, Godfrey’s future father-in-law arrived. Godfrey received him in his studio, and introduced Fensden to him as an old friend.
“It is very good of you to come so quickly, Sir Vivian,” he said, motioning him to a chair. “I took the liberty of sending for you because I want your advice in a very serious matter. How serious it is you will understand when you have heard what we have to tell you. We have had a terrible experience, and I am not quite sure that I am capable of looking at the matter in a temperate light at present.”
“You alarm me, my dear boy,” said the old gentleman. “What can have happened? Tell me everything, and let me see if I can help you.”
“If I am to do that, I must tell you a story. It will simplify matters, and it won’t take very long. As you are aware, before my uncle’s death, I might have been described as a struggling artist. I was painting my biggest work at that time, and was most anxious to find a model for the central figure. I had hunted London over, but without success, when Mr. Fensden here happened to discover an Italian model whom he thought might be of use to me. I saw her, and immediately secured her services. In company with her mother, she had been in England for some little time, and was glad to accept my offer of employment. When the picture was finished and hung, I still retained her services, because I liked the girl and found her useful to me in some other work I had on hand. Then my uncle died, and I came into the estate. Mr. Fensden and I immediately agreed to travel, and we accordingly set off together for Egypt and the East, intending to be away about a year. At the same time, it must be borne in mind, the girl and her mother had returned to Italy. While we were at Luxor, I received a letter from her, forwarding me her address in Naples, in case I might desire to communicate with her concerning future work. Some three weeks later my mother was taken ill, and I was telegraphed for to come home at once. I left Port Said in a mail steamer, intending to take the overland express from Naples to England. Having some hours to spend in the latter city, I thought there could be no harm in my discovering the mother and daughter. I did so, we dined together at a small restaurant, and went on to the Opera afterward.”