His maid, when he appeared, told him that some patients had been waiting in his office for three hours. He hastened in. There were the two varicose-vein patients, who had returned at daybreak, obstinate but patient.
The old man immediately began his explanation: "This began by a feeling like ants running up and down the legs."
THE ARTIST
"Bah! Monsieur," the old mountebank said to me; "it is a matter of exercise and habit, that is all! Of course, one requires to be a little gifted that way and not to be butter-fingered, but what is chiefly necessary is patience and daily practice for long, long years."
His modesty surprised me all the more, because of all performers who are generally infatuated with their own skill, he was the most wonderfully clever one I had met. Certainly I had frequently seen him, for everybody had seen him in some circus or other, or even in traveling shows, performing the trick that consists of putting a man or woman with extended arms against a wooden target, and in throwing knives between their fingers and round their heads, from a distance. There is nothing very extraordinary in it, after all, when one knows THE TRICKS OF THE TRADE, and that the knives are not the least sharp, and stick into the wood at some distance from the flesh. It is the rapidity of the throws, the glitter of the blades, and the curve which the handles make toward their living object, which give an air of danger to an exhibition that has become commonplace, and only requires very middling skill.
But here there was no trick and no deception, and no dust thrown into the eyes. It was done in good earnest and in all sincerity. The knives were as sharp as razors, and the old mountebank planted them close to the flesh, exactly in the angle between the fingers. He surrounded the head with a perfect halo of knives, and the neck with a collar from which nobody could have extricated himself without cutting his carotid artery, while, to increase the difficulty, the old fellow went through the performance without seeing, his whole face being covered with a close mask of thick oilcloth.
Naturally, like other great artists, he was not understood by the crowd, who confounded him with vulgar tricksters, and his mask only appeared to them a trick the more, and a very common trick into the bargain.
"He must think us very stupid," they said. "How could he possibly aim without having his eyes open?"
And they thought there must be imperceptible holes in the oilcloth, a sort of latticework concealed in the material. It was useless for him to allow the public to examine the mask for themselves before the exhibition began. It was all very well that they could not discover any trick, but they were only all the more convinced that they were being tricked. Did not the people know that they ought to be tricked?