“It's settled, then, for next Sunday?”
“It's settled for next Sunday”
“Well, good-morning, Victor.”
“Good-morning, Madame Houlbreque.”
PART III
This particular Sunday was the day of the village festival, the annual festival in honor of the patron saint, which in Normandy is called the assembly.
For the last eight days quaint-looking vehicles in which live the families of strolling fair exhibitors, lottery managers, keepers of shooting galleries and other forms of amusement or exhibitors of curiosities whom the peasants call “wonder-makers” could be seen coming along the roads drawn slowly by gray or sorrel horses.
The dirty wagons with their floating curtains, accompanied by a melancholy-looking dog, who trotted, with his head down, between the wheels, drew up one after the other on the green in front of the town hall. Then a tent was erected in front of each ambulant abode, and inside this tent could be seen, through the holes in the canvas, glittering things which excited the envy or the curiosity of the village youngsters.
As soon as the morning of the fete arrived all the booths were opened, displaying their splendors of glass or porcelain, and the peasants on their way to mass looked with genuine satisfaction at these modest shops which they saw again, nevertheless, each succeeding year.
Early in the afternoon there was a crowd on the green. From every neighboring village the farmers arrived, shaken along with their wives and children in the two-wheeled open chars-a-bancs, which rattled along, swaying like cradles. They unharnessed at their friends' houses and the farmyards were filled with strange-looking traps, gray, high, lean, crooked, like long-clawed creatures from the depths of the sea. And each family, with the youngsters in front and the grown-up ones behind, came to the assembly with tranquil steps, smiling countenances and open hands, big hands, red and bony, accustomed to work and apparently tired of their temporary rest.