THE BENEFIT OF CHANGE OF SCENE
One day Mariolle had gone to her house. He was awaiting her, for she had not come in, although she had sent him a telegram to tell him that she wanted to see him that morning. Whenever he was alone in this drawing-room which it gave him such pleasure to enter and where everything was so charming to him, he nevertheless was conscious of an oppression of the heart, a slight feeling of affright and breathlessness that would not allow him to remain seated as long as she was not there. He walked about the room in joyful expectation, dashed by the fear that some unforeseen obstacle might intervene to detain her and cause their interview to go over until next day. His heart gave a hopeful bound when he heard a carriage draw up before the street door, and when the bell of the apartment rang he ceased to doubt.
She came in with her hat on, a thing which she was not accustomed to do, wearing a busy and satisfied look. "I have some news for you," she said.
"What is it, Madame?"
She looked at him and laughed. "Well! I am going to the country for a while."
Her words produced in him a quick, sharp shock of sorrow that was reflected upon his face. "Oh! and you tell me that as if you were glad of it!"
"Yes. Sit down and I will tell you all about it. I don't know whether you are aware that M. Valsaci, my poor mother's brother, the engineer and bridge-builder, has a country-place at Avranches where he spends a portion of his time with his wife and children, for his business lies mostly in that neighborhood. We pay them a visit every summer. This year I said that I did not care to go, but he was greatly disappointed and made quite a time over it with papa. Speaking of scenes, I will tell you confidentially that papa is jealous of you and makes scenes with me, too; he says that I am entangling myself with you. You will have to come to see me less frequently. But don't let that trouble you; I will arrange matters. So papa gave me a scolding and made me promise to go to Avranches for a visit of ten days, perhaps twelve. We are to start Tuesday morning. What have you got to say about it?"
"I say that it breaks my heart."
"Is that all?"
"What more can I say? There is no way of preventing you from going."