"Only by sight; but I have heard a good deal of her. They say that she is queer."
"The very queen of crazy women, but with an exquisite perfume of modernness. Come and let me present you to her." Taking him by the arm he led him toward a young woman who was always compared to a doll, a pale and charming little blond doll, invented and created by the devil himself for the damnation of those larger children who wear beards on their faces. She had long, narrow eyes, slightly turned up toward the temples, apparently like the eyes of the Chinese; their soft blue glances stole out between lids that were seldom opened to their full extent, heavy, slowly-moving lids, designed to veil and hide this creature's mysterious nature.
Her hair, very light in color, shone with silky, silvery reflections, and her delicate mouth, with its thin lips, seemed to have been cut by the light hand of a sculptor from the design of a miniature-painter. The voice that issued from it had bell-like intonations, and the audacity of her ideas, of a biting quality that was peculiar to herself, smacking of wickedness and drollery, their destructive charm, their cold, corrupting seductiveness, all the complicated nature of this full-grown, mentally diseased child acted upon those who were brought in contact with her in such a way as to produce in them violent passions and disturbances.
She was known all over Paris as being the most extravagant of the mondaines of the real monde, and also the wittiest, but no one could say exactly what she was, what were her ideas, what she did. She exercised an irresistible sway over mankind in general. Her husband, also, was quite as much of an enigma as she. Courteous and affable and a great nobleman, he seemed quite unconscious of what was going on. Was he indifferent, or complaisant, or was he simply blind? Perhaps, after all, there was nothing in it more than those little eccentricities which doubtless amused him as much as they did her. All sorts of opinions, however, were prevalent in regard to him, and some very ugly reports were circulated. Rumor even went so far as to insinuate that his wife's secret vices were not unprofitable to him.
Between her and Mme. de Burne there were natural attractions and fierce jealousies, spells of friendship succeeded by crises of furious enmity. They liked and feared each other and mutually sought each other's society, like professional duelists, who appreciate at the same time that they would be glad to kill each other.
It was the Baronne de Frémines who was having the upper hand at this moment. She had just scored a victory, an important victory: she had conquered Lamarthe, had taken him from her rival and borne him away ostentatiously to domesticate him in her flock of acknowledged followers. The novelist seemed to be all at once smitten, puzzled, charmed, and stupefied by the discoveries he had made in this creature sui generis, and he could not help talking about her to everybody that he met, a fact which had already given rise to much gossip.
Just as he was presenting Mariolle he encountered Mme. de Burne's look from the other end of the room; he smiled and whispered in his friend's ear: "See, the mistress of the house is angry."
André raised his eyes, but Madame had turned to meet Massival, who just then made his appearance beneath the raised portière. He was followed almost immediately by the Marquise de Bratiane, which elicited from Lamarthe: "Ah! we shall only have a second rendition of 'Dido'; the first has just been given in the Marquise's coupé."
Mme. de Frémines added: "Really, our friend De Burne's collection is losing some of its finest jewels."
Mariolle felt a sudden impulse of anger rising in his heart, a kind of hatred against this woman, and a brusque sensation of irritation against these people, their way of life, their ideas, their tastes, their aimless inclinations, their childish amusements. Then, as Lamarthe bent over the young woman to whisper something in her ear, he profited by the opportunity to slip away.