Notre Coeur; or, A Woman's Pastime: A Novel

by Guy de Maupassant

Suddenly he came to a halt. "I am not walking any longer," he said, "I am flying from something!" Indeed, he was flying, straight ahead, he cared not where, pursued by the agony of his love.

Then he started on again at a more reasonable speed. The appearance of the forest was undergoing a change. The growth was denser and the shadows deeper, for he was coming to the warmer portions of it, to the beautiful region of the beeches. No sensation of winter lingered there. It was wondrous spring, that seemed to have been the birth of a night, so young and fresh was everything.

Mariolle made his way among the thickets, beneath the gigantic trees that towered above him higher and higher still, and in this way he went on for a long time, an hour, two hours, pushing his way through the branches, through the countless multitudes of little shining leaves, bright with their varnish of new sap. The heavens were quite concealed by the immense dome of verdure, supported on its lofty columns, now perpendicular, now leaning, now of a whitish hue, now dark beneath the black moss that drew its nourishment from the bark.

Thus they towered, stretching away indefinitely in the distance, one behind the other, lording it over the bushy young copses that grew in confused tangles at their feet and wrapping them in dense shadow through which in places poured floods of vivid sunlight. The golden rain streamed down through all this luxuriant growth until the wood no longer remained a wood, but became a brilliant sea of verdure illumined by yellow rays. Mariolle stopped, seized with an ineffable surprise. Where was he? Was he in a forest, or had he descended to the bottom of a sea, a sea of leaves and light, an ocean of green resplendency?

He felt better—more tranquil; more remote, more hidden from his misery, and he threw himself down upon the red carpet of dead leaves that these trees do not cast until they are ready to put on their new garments. Rejoicing in the cool contact of the earth and the pure sweetness of the air, he was soon conscious of a wish, vague at first but soon becoming more defined, not to be alone in this charming spot, and he said to himself: "Ah! if she were only here, at my side!"

He suddenly remembered Mont Saint-Michel, and recollecting how different she had been down there to what she was in Paris, how her affection had blossomed out in the open air before the yellow sands, he thought that on that day she had surely loved him a little for a few hours. Yes, surely, on the road where they had watched the receding tide, in the cloisters where, murmuring his name: "André," she had seemed to say, "I am yours," and on the "Madman's Path," where he had almost borne her through space, she had felt an impulsion toward him that had never returned since she placed her foot, the foot of a coquette, on the pavement of Paris.

He continued to yield himself to his mournful reveries, still stretched at length upon his back, his look lost among the gold and green of the tree-tops, and little by little his eyes closed, weighed down with sleep and the tranquillity that reigned among the trees. When he awoke he saw that it was past two o'clock of the afternoon.

When he arose and proceeded on his way he felt less sad, less ailing. At length he emerged from the thickness of the wood and came to a great open space where six broad avenues converged and then stretched away and lost themselves in the leafy, transparent distance. A signboard told him that the name of the locality was "Le Bouquet-du-Roi." It was indeed the capital of this royal country of the beeches.

A carriage passed, and as it was empty and disengaged Mariolle took it and ordered the driver to take him to Marlotte, whence he could make his way to Montigny after getting something to eat at the inn, for he was beginning to be hungry.

He remembered that he had seen this establishment, which was only recently opened, the day before: the Hotel Corot, it was called, an artistic public-house in middle-age style of decoration, modeled on the Chat Noir in Paris. His driver set him down there and he passed through an open door into a vast room where old-fashioned tables and uncomfortable benches seemed to be awaiting drinkers of a past century. At the far end a woman, a young waitress, no doubt, was standing on top of a little folding ladder, fastening some old plates to nails that were driven in the wall and seemed nearly beyond her reach. Now raising herself on tiptoe on both feet, now on one, supporting herself with one hand against the wall while the other held the plate, she reached up with pretty and adroit movements; for her figure was pleasing and the undulating lines from wrist to ankle assumed changing forms of grace at every fresh posture. As her back was toward him she had been unaware of Mariolle's entrance, who stopped to watch her. He thought of Prédolé and his figurines; "It is a pretty picture, though!" he said to himself. "She is very graceful, that little girl."