Madame Tellier's regiment, with its leader at its head, followed Constance; her father gave his arm to his sister, her mother walked by the side of Raphaele, Fernande with Rosa and Louise and Flora together, and thus they proceeded majestically through the village, like a general's staff in full uniform, while the effect on the village was startling.

At the school the girls ranged themselves under the Sister of Mercy and the boys under the schoolmaster, and they started off, singing a hymn as they went. The boys led the way, in two files, between the two rows of vehicles, from which the horses had been taken out, and the girls followed in the same order; and as all the people in the village had given the town ladies the precedence out of politeness, they came immediately behind the girls, and lengthened the double line of the procession still more, three on the right and three on the left, while their dresses were as striking as a display of fireworks.

When they went into the church the congregation grew quite excited. They pressed against each other, turned round and jostled one another in order to see, and some of the devout ones spoke almost aloud, for they were so astonished at the sight of those ladies whose dresses were more elaborate than the priest's vestments.

The mayor offered them his pew, the first one on the right, close to the choir, and Madame Tellier sat there with her sister-in-law, Fernande and Raphaele. Rosa, Louise and Flora occupied the second seat, in company with the carpenter.

The choir was full of kneeling children, the girls on one side and the boys on the other, and the long wax tapers which they held looked like lances pointing in all directions, and three men were standing in front of the lectern, singing as loud as they could.

They prolonged the syllables of the sonorous Latin indefinitely, holding on to “Amens” with interminable “a-a's,” which the reed stop of the organ sustained in a monotonous, long-drawn-out tone.

A child's shrill voice took up the reply, and from time to time a priest sitting in a stall and wearing a biretta got up, muttered something and sat down again, while the three singers continued, their eyes fixed on the big book of plain chant lying open before them on the outstretched wings of a wooden eagle.

Then silence ensued and the service went on. Toward the close Rosa, with her head in both hands, suddenly thought of her mother, her village church and her first communion. She almost fancied that that day had returned, when she was so small and was almost hidden in her white dress, and she began to cry.

First of all she wept silently, and the tears dropped slowly from her eyes, but her emotion in creased with her recollections, and she began to sob. She took out her pocket handkerchief, wiped her eyes and held it to her mouth, so as not to scream, but it was in vain. A sort of rattle escaped her throat, and she was answered by two other profound, heartbreaking sobs, for her two neighbors, Louise and Flora, who were kneeling near her, overcome by similar recollections, were sobbing by her side, amid a flood of tears; and as tears are contagious, Madame Tellier soon in turn found that her eyes were wet, and on turning to her sister-in-law, she saw that all the occupants of her seat were also crying.

Soon, throughout the church, here and there, a wife, a mother, a sister, seized by the strange sympathy of poignant emotion, and affected at the sight of those handsome ladies on their knees, shaken with sobs was moistening her cambric pocket handkerchief and pressing her beating heart with her left hand.