This good man astonished me at first, then caused me the intensest interest. I watched him through the leafy walls, I followed him at a distance, stopping at a turn in the hedge so as not to be seen.
And one morning when he thought he was quite alone, he began to make the most remarkable motions. First he would give some little springs, then make a bow; then, with his slim legs, he would give a lively spring in the air, clapping his feet as he did so, and then turn round cleverly, skipping and frisking about in a comical manner, smiling as if he had an audience, twisting his poor little puppet-like body, bowing pathetic and ridiculous little greetings into the empty air. He was dancing.
I stood petrified with amazement, asking myself which of us was crazy, he or I.
He stopped suddenly, advanced as actors do on the stage, then bowed and retreated with gracious smiles, and kissing his hand as actors do, his trembling hand, to the two rows of trimmed bushes.
Then he continued his walk with a solemn demeanor.
After that I never lost sight of him, and each morning he began anew his outlandish exercises.
I was wildly anxious to speak to him. I decided to risk it, and one day, after greeting him, I said:
“It is a beautiful day, monsieur.”
He bowed.
“Yes, sir, the weather is just as it used to be.”