In the light of this melancholy dawn the occupants of the diligence began to examine one another curiously.
Right at the end, in the best seats, opposite to one another, dozed Madame and Monsieur Loiseau, whole-sale wine merchant of the Rue Grand Pont.
The former salesman of a master who had become bankrupt, Loiseau had bought up the stock and made his fortune. He sold very bad wine at very low prices to the small country retail dealers, and enjoyed the reputation among his friends and acquaintances of being an unmitigated rogue, a thorough Norman full of trickery and jovial humor.
His character for knavery was so well established that one evening at the Prefecture, Monsieur Tournel, a man of keen and trenchant wit, author of certain fables and songs—a local glory—seeing the ladies growing drowsy, proposed a game of "L'oiseau vole."[1] The pun itself flew through the prefect's reception rooms and afterwards through the town, and for a whole month called up a grin on every face in the province.
Loiseau was himself a noted wag and famous for his jokes both good and bad, and nobody ever mentioned him without adding immediately, "That Loiseau is simply priceless!"
He was of medium height with a balloon-like stomach and a rubicund face framed in grizzled whiskers. His wife—tall, strong, resolute, loud in voice and rapid of decision—represented order and arithmetic in the business, which he enlivened by his jollity and bustling activity.
Beside them, in a more dignified attitude as befitted his superior station, sat Monsieur Carré-Lamadon, a man of weight; an authority on cotton, proprietor of three branch businesses, officer of the Legion of Honor and member of the General Council. All the time of the Empire he had remained leader of a friendly opposition, for the sole purpose of making a better thing out of it when he came round to the cause which he had fought with polite weapons, to use his own expression. Madame Carré-Lamadon, who was much younger than her husband, was the consolation of all officers of good family who might be quartered at the Rouen garrison. She sat there opposite to her husband, very small, very dainty, very pretty, wrapped in her furs, and regarding the lamentable interior of the vehicle with despairing eyes.
Their neighbors, the Count and Countess Hubert de Breville, bore one of the most ancient and noble names in Normandy. The Count, an elderly gentleman of dignified appearance, did all in his power to accentuate by every artifice of the toilet his natural resemblance to Henri Quatre, who, according to a legend of the utmost glory to the family, had honored with his royal embraces a Dame de Breville, whose husband had, in consequence, been made Count and Governor of the province.
A colleague of Monsieur Carré-Lamadon in the General Council, Count Hubert represented the Orleanist faction in the department. The history of his marriage with the daughter of a small tradesman of Nantes had always remained a mystery. But as the Countess had an air of grandeur, understood better than any one else the art of receiving, passed even for having been beloved by one of the sons of Louis Philippe, the neighboring nobility bowed down to her, and her salon held the first place in the county, the only one which preserved the traditions of the viel le galanterie and to which the entreé was difficult.
The fortune of the Brevilles—all in Government Funds—was reported to yield them an income of five hundred thousand francs.