A doctor she had consulted ten years before because she suffered from palpitations, had hinted at hypertrophy. Since then she had constantly used this word, though she did not in the least understand what it meant, and she was always making the baron, and Jeanne, and Rosalie put their hands on her heart, though its beatings could not be felt, so buried was it under her bosom. She obstinately refused to be examined by any other doctor in case he should say she had another malady, and she spoke of "her hypertrophy" so often that it seemed as though this affection of the heart were peculiar to her, and belonged to her, like something unique, to which no one else had any right. The baron and Jeanne said "my wife's" or "mamma's hypertrophy" in the same way as they would have spoken of her dress or her umbrella.
She had been very pretty when she was young, and as slender as a reed. After flirting with the officers of all the regiments of the Empire, she had read Corinne, which had made her cry, and, in a certain measure, altered her character.
As her waist got bigger her mind became more and more poetical, and when, through her size, she had to remain nearly all day in her armchair, she dreamed of love adventures, of which she was always the heroine; always thinking of the sort she liked best, like a hand-organ continually repeating the same air. The languishing romances, where they talk about captives and swallows, always made her cry; and she even liked some of Béranger's coarse verses, because of the grief they expressed. She would sit motionless for hours, lost in thought, and she was very fond of Les Peuples, because it served as a scene for her dreams, the surrounding woods, the sea, and the waste land reminding her of Sir Walter Scott's books, which she had lately been reading.
On rainy days she stayed in her room looking over what she called her "relics." They were all her old letters; those from her father and mother, the baron's when she was engaged to him, and some others besides. She kept them in a mahogany escritoire with copper sphinxes at the corners, and she always used a particular tone when she said: "Rosalie, bring me my souvenir-drawer."
The maid would open the escritoire, take out the drawer, and place it on a chair beside her mistress, who slowly read the letters one by one, occasionally letting fall a tear.
Jeanne sometimes took Rosalie's place and accompanied her mother's walks, and listened to her reminiscences of childhood. The young girl recognized herself in these tales, and was astonished to find that her mother's thoughts and hopes had been the same as hers; for every one imagines that he is the first to experience those feelings which made the hearts of our first parents beat quicker, and which will continue to exist in human hearts till the end of time.
These tales, often interrupted for several seconds by the baroness's want of breath, were told as slowly as she walked, and Jeanne let her thoughts run on to the happy future, without waiting to hear the end of her mother's anecdotes.
One afternoon, as they were resting on the seat at the bottom of the walk, they saw a fat priest coming towards them from the other end of the avenue. He bowed, put on a smiling look, bowed again when he was about three feet off, and cried:
"Well, Madame la baronne, and how are we to-day?"
He was the curé of the parish.