It was understood that at the new year the baron and baroness were to spend a few months in their Rouen house, leaving Les Peuples to the young people who would become settled that winter, and so get accustomed to the place where they were to pass their lives. Julien wanted to present his wife to the Brisevilles, the Couteliers and the Fourvilles, but they could not pay these visits yet because they had not been able to get the painter to change the coat-of-arms on the carriage; for nothing in the world would have persuaded Julien to go to the neighboring château in the old family carriage, which the baron had given up to him, until the arms of the De Lamares had been quartered on it with those of the Leperthius des Vauds. Now there was only one man in the whole province who made a speciality of coats-of-arms, a painter from Bolbec, named Bataille, who was naturally in great request among all the Normandy aristocracy; so Julien had to wait for some time before he could secure his services.
At last, one December morning just as they were finishing lunch at Les Peuples, they saw a man, with a box on his back, open the gate and come up the path; it was Bataille. He was shown into the dining-room, and lunch was served to him just as if he had been a gentleman, for his constant intercourse with the provincial aristocracy, his knowledge of the coats-of-arms, their mottoes and signification, made him a sort of herald with whom no gentleman need be ashamed to shake hands.
Pencils and paper were brought, and while Bataille ate his lunch, the baron and Julien made sketches of their escutcheons with all the quarters. The baroness, always delighted when anything of this sort was discussed, gave her advice, and even Jeanne took part in the conversation, as if it aroused some interest in her. Bataille, without interrupting his lunch, occasionally gave an opinion, took the pencil to make a sketch of his idea, quoted examples, described all the aristocratic carriages in Normandy, and seemed to scatter an atmosphere of nobility all around him. He was a little man with thin gray hair and paint-daubed hands which smelt of oil. It was said that he had once committed a grave offense against public morality, but the esteem in which he was held by all the titled families had long ago effaced this stain on his character.
As soon as the painter had finished his coffee, he was taken to the coach-house and the carriage was uncovered. Bataille looked at it, gave an idea of the size he thought the shield ought to be, and then, after the others had again given their opinions, he began his work. In spite of the cold the baroness ordered a chair and a foot-warmer to be brought out for her that she might sit and watch the painter. Soon she began to talk to him, asking him about the marriages and births and deaths of which she had not yet heard, and adding these fresh details to the genealogical trees which she already knew by heart. Beside her, astride a chair, sat Julien, smoking a pipe and occasionally spitting on the ground as he watched the growth of the colored certificate of his nobility. Soon old Simon on his way to the kitchen garden stopped, with his spade on his shoulder, to look at the painting, and the news of Bataille's arrival having reached the two farms the farmers' wives came hurrying up also. Standing on either side of the baroness, they went into ecstasies over the drawing and kept repeating: "He must be clever to paint like that."
The shields on both carriage-doors were finished the next morning about eleven o'clock. Everyone came to look at the work now it was done, and the carriage was drawn out of the coach-house that they might the better judge of the effect. The design was pronounced perfect, and Bataille received a great many compliments before he strapped his box on his back and went off again; the baron, his wife, Jeanne and Julien all agreed that the painter was a man of great talent, and would, no doubt, have become an artist, if circumstances had permitted.
For the sake of economy, Julien had accomplished some reforms which brought with them the need of fresh arrangements. The old coachman now performed the duties of gardener, the vicomte himself undertaking to drive, and as he was obliged to have someone to hold the horses when the family went to make a visit, he had made a groom of a young cowherd named Marius. The horses had been sold to do away with the expense of their keep, so he had introduced a clause in Couillard's and Martin's leases by which the two farmers bound themselves to each provide a horse once a month, on whatever day the vicomte chose.
When the day came the Couillards produced a big, raw-boned, yellowish horse, and the Martins a little, white, long-haired nag; the two horses were harnessed, and Marius, buried in an old livery of Simon's, brought the carriage round to the door. Julien, who was in his best clothes, would have looked a little like his old, elegant self, if his long beard had not made him look common. He inspected the horses, the carriage, and the little groom, and thought they looked very well, the only thing of any importance in his eyes being the new coat-of-arms. The baroness came downstairs on her husband's arm, got in, and had some cushions put behind her back; then came Jeanne. She laughed first at the strange pair of horses, and her laughter increased when she saw Marius with his face buried under his cockaded hat (which his nose alone prevented from slipping down to his chin), and his hands lost in his ample sleeves, and the skirts of his coat coming right down to his feet, which were encased in enormous boots; but when she saw him obliged to throw his head right back before he could see anything, and raise his knee at each step as though he were going to take a river in his stride, and move like a blind man when he had an order given him, she gave a shout of laughter. The baron turned round, looked for a moment at the little fellow who stood looking so confused in his big clothes, and then he too was overcome with laughter, and, hardly able to speak, called out to his wife:
"Lo-lo-look at Ma-Marius! Does-doesn't he look fun-funny?"
The baroness leaned out of the carriage-window, and, catching sight of Marius, she was shaken by such a fit of laughter that the carriage moved up and down on its springs as if it were jolting over some deep ruts.