The Works of Guy de Maupassant, Volume 2

by Guy de Maupassant

In a word, she had a refined mind, and although she treated her women as friends, yet she very frequently used to say that "she and they were not made of the same stuff."

Sometimes during the week, she would hire a carriage and take some of her girls into the country, where they used to enjoy themselves on the grass by the side of the little river. They were like a lot of girls let out from a school, and used to run races, and play childish games. They had a cold dinner on the grass, and drank cider, and went home at night with a delicious feeling of fatigue, and in the carriage they kissed Madame as their kind mother, who was full of goodness and complaisance.

The house had two entrances. At the corner there was a sort of low café, which sailors and the lower orders frequented at night, and she had two girls whose special duty it was to attend to that part of the business. With the assistance of the waiter, whose name was Frederic, and who was a short, light-haired, beardless fellow, as strong as a horse, they set the half bottles of wine and the jugs of beer on the shaky marble tables, and then, sitting astride on the customer's knees, they urged them to drink.

The three other girls (there were only five of them), formed a kind of aristocracy, and were reserved for the company on the first floor, unless they were wanted downstairs, and there was nobody on the first floor. The saloon of Jupiter, where the tradesmen used to meet, was papered in blue, and embellished with a large drawing representing Leda stretched out under the swan. That room was reached by a winding staircase, which ended at a narrow door opening onto the street, and above it, all night long a little lamp burned, behind wire bars, such as one still sees in some towns, at the foot of some shrine of a saint.

The house, which was old and damp, rather smelled of mildew. At times there was an odor of Eau de Cologne in the passages, or a half open door downstairs admitted the noise of the common men sitting and drinking downstairs, to the first floor, much to the disgust of the gentlemen who were there. Madame, who was familiar with those of her customers with whom she was on friendly terms, did not leave the saloon, and took much interest in what was going on in the town, and they regularly told her all the news. Her serious conversation was a change from the ceaseless chatter of the three women; it was a rest from the obscene jokes of those stout individuals who every evening indulged in the common-place debauchery of drinking a glass of liquor in company with prostitutes.

The names of the girls on the first floor were Fernande, Raphaele, and Rosa, the Jade. As the staff was limited, Madame had endeavored that each member of it should be a pattern, an epitome of the feminine type, so that every customer might find as nearly as possible, the realization of his ideal. Fernande represented the handsome blonde; she was very tall, rather fat, and lazy; a country girl, who could not get rid of her freckles, and whose short, light, almost colorless, tow-like hair, which was like combed-out flax, barely covered her head.

Raphaele, who came from Marseilles, played the indispensable part of the handsome Jewess, and was thin, with high cheek bones, which were covered with rouge, and her black hair, which was always covered with pomatum, curled onto her forehead. Her eyes would have been handsome, if the right one had not had a speck in it. Her Roman nose came down over a square jaw, where two false upper teeth contrasted strangely with the bad color of the rest.

Rosa, the Jade, was a little roll of fat, nearly all stomach, with very short legs, and from morning till night she sang songs, which were alternately indecent or sentimental, in a harsh voice, told silly, interminable tales, and only stopped talking in order to eat, and left off eating in order to talk; she was never still, and was active as a squirrel, in spite of her fat, and of her short legs; and her laugh, which was a torrent of shrill cries, resounded here and there, ceaselessly, in a bedroom, in the loft, in the café, everywhere, and about nothing.

The two women on the ground floor, Louise, who was nick-named la Cocotte, and Flora, whom they called Balançiore, because she limped a little, the former always dressed as Liberty, with a tri-colored sash, and the other as a Spanish woman, with a string of copper coins which jingled at every step she took, in her carrotty hair, looked like cooks dressed up for the carnival. They were like all other women of the lower orders, neither uglier nor better looking than they usually are.

They looked just like servants at an inn, and they were generally called the two pumps.