"And without that precaution?" Guerland asked him. "Then," the doctor replied; "the final crisis will be all the nearer; that is all. But whether it would be nearer or more remote, it will not be the less fatal." "You are sure of that?" "Absolutely sure."

François Guerland took tall Fanny out of the asylum, installed her in splendid apartments, and went to live with her there. She had grown old, bloated, with white hair, and sometimes wandered in her mind, and she did not recognize in him the poor little lad on whom she had taken pity in the days gone by, nor did he remind her of the circumstance. He allowed her to believe that she was adored by a rich young man, who was passionately devoted to her. He was young, ardent, and caressing. Never had a mistress such a lover, and for three weeks, before she relapsed into the horrors of madness, which were happily soon terminated by her death, she intoxicated herself with the ecstasy of his kisses, and thus bade farewell to conscient life in an apotheosis of love.

The other day, at dessert, after an artists' dinner, they were speaking of François Guerland, whose last picture at the Salon had been so deservedly praised. "Ah! yes," one of them said, with a contemptuous voice and look. "That handsome fellow Guerland!" And another, accentuating the insinuation, added boldly: "Yes, that is exactly it! That handsome, too handsome fellow Guerland, the man who allows himself to be kept by women."

AN ARTIST

"Bah! Monsieur," the old mountebank said to me; "it is a matter of exercise and habit, that is all! Of course, one requires to be a little gifted that way, and not to be butter-fingered, but what is chiefly necessary is patience and daily practice for long, long years."

His modesty surprised me all the more, because of all those performers who are generally infatuated with their own skill, he was the most wonderfully clever one that I had ever met. Certainly, I had frequently seen him, and everybody had seen him in some circus or other, or even in traveling shows, performing the trick that consists of putting a man or a woman with extended arms against a wooden target, and in throwing knives between their fingers and round their head, from a distance. There is nothing very extraordinary in it, after all, when one knows the tricks of the trade, and that the knives are not the least sharp, and stick into the wood at some distance from the flesh. It is the rapidity of the throws, the glitter of the blades, the curve which the handles make towards their living aim, which give an air of danger to an exhibition that has become common-place, and only requires very middling skill.

But here there was no trick and no deception, and no dust thrown into the eyes. It was done in good earnest and in all sincerity. The knives were as sharp as razors, and the old mountebank planted them close to the flesh, exactly in the angle between the fingers, and surrounded the head with a perfect halo of knives, and the neck with a collar, from which nobody could have extricated himself without cutting his carotid artery, while to increase the difficulty, the old fellow went through the performance without seeing, his whole face being covered with a close mask of thick oil-cloth.

Naturally, like other great artists, he was not understood by the crowd, who confounded him with vulgar tricksters, and his mask only appeared to them a trick the more, and a very common trick into the bargain. "He must think us very stupid," they said. "How could he possibly aim without having his eyes open?" And they thought there must be imperceptible holes in the oil-cloth, a sort of lattice work concealed in the material. It was useless for him to allow the public to examine the mask for themselves before the exhibition began. It was all very well that they could not discover any trick, but they were only all the more convinced that they were being tricked. Did not the people know that they ought to be tricked?

I had recognized a great artist in the old mountebank, and I was quite sure that he was altogether incapable of any trickery, and I told him so, while expressing my admiration to him; and he had been touched, both by my admiration, and above all by the justice I had done him. Thus we became good friends, and he explained to me, very modestly, the real trick which the crowd cannot understand, the eternal trick compromised in these simple words: "To be gifted by nature, and to practice every day for long, long years."