Hellenistic Sculpture - Guy Dickins

Actaeon torso, [41].
Adorans of Boedas, [37].
Agasias, [34], [40].
Ageladas, [74].
Agias of Delphi, [56].
Ajax (Menelaos) and Patroclos, [48], [50].
Alexander, British Museum head of, [21];
Sieglin head of, [21];
with lance, [42].
Alexandria, school of, [19] sqq.;
characteristics of, [21] sqq.;
connexion with Antioch, [33];
grotesques of, [27];
pastoral reliefs of, [30];
realism of, [25], [27] sqq.
Andros, Hermes of, [54] sq.
Anticythera, bronze figure from, [55] sq.
Antioch, art of, [32] sq.;
coins of, [33];
Eutychides working at, [3];
statue of, [33], [46], [47].
Anytos, [60] sqq.
Apelles, [15], [30].
Aphrodite, armed, [66];
with Ares, [74];
Capitoline, [25];
Capuan, [65] sq.;
Cnidian, [25];
from Cyrenaica, [22];
of Daedalus, [5];
Kallipygos, [8], [57];
of Melos, [63] sqq.;
with Triton at Dresden, [20], [21], [33].
Apollo, Belvedere, [70];
at Daphne, [33];
torso in Berlin, [6];
of Tralles, [17].
Apollonios of Tralles, [48] sq.
Apotheosis of Homer, [16], [30], [44].
Appiades of Stephanos, [73].
Ara Pacis, [14], [79], [80], [82].
Arcesilaos, [69], [75].
Archelaos of Priene, [16], [44].
Ares Borghese, [74].
Ariadne, Capitol, [26].
Aristeas of Aphrodisias, [51].
Aristonides of Rhodes, [49].
Artemis, of Damophon, [60] sqq.;
Leucophryene, temple of, [17];
of Pompeii, [78];
of Versailles, [70] sq.
Asklepios of Damophon, [61] sq.
Athena of Euboulides, [59].
Athens, art of, [54] sqq., [75] sqq.
Athlete from Ephesos, [34], [56].
Attalid dedications, [4], [6], [9] sqq., [34].
Augustus, monuments of, [79], [80].
Bearded head, in Capitol, [23];
from Nemi, [24].
Bellerophon and Pegasus, [30].
Belvedere, Apollo, [70];
torso, [71].
Boedas, [36] sq.
Boethos of Chalcedon, [18], [43].
Borghese warrior, [40] sqq.
Boston, Chian girl’s head in, [23], [26].
Boxer, statue of, [42] sq.
Boy with goose, [43].
Brescia, Victory of, [66].
Bronze casting, [36].
Bryaxis, [20], [23] sq., [33].
‘Cabinet’ pieces, popularity of, [51].
Capitoline, Ariadne, [26];
bearded head, [23];
old woman, [28];
priest of Isis, [24];
Venus, [25].
Capuan Venus, [65] sq.
Centaurs, pair of, in Capitol, [51].
Chairestratos, Themis of, [54].
Chares of Lindos, [3], [35], [39].
Chios, girl’s head from, [23], [26].
Colossus, of the Conservatori, [33];
of Rhodes, [36], [39].
Copies, Greco-Roman, [69].
Crouching attitude, introduction of, [5] sq.
Cyrenaica, Aphrodite from, [22].
Daedalos and Icaros, relief of, [31].
Daedalus of Bithynia, Aphrodite of, [5].
Daippos, [36] sq.
Damophon of Messene, [1], [60] sqq.
Dancing, influence of, on sculpture, [8].
Decadence in art, [1];
of Alexandrian school, [20], [29].
Demetrios Poliorcetes, [35], [46].
Demetrios, portrait by, [27].
Designs, naturalistic, [82];
Neo-Attic, [78].
Despoina, veil of, [62].
Diadochi, kingdoms of, [2], [3].
Diadumenos of Polykleitos, [69].
Diogenes of Villa Albani, [28].
Dionysios, [57] sq.
Drapery, academic, [54];
Alexandrian, [25];
of Alkamenes, [74];
of Aphrodite of Melos, [65];
of Neo-Attic school, [79];
Rhodian, [38], [44] sqq.
Eclecticism, [55], [56], [61], [63], [66], [75].
Ephesos, art of, [34].
Epinal Hermaphrodite, [57] sq.
Eros, transformation of, into Cupid, [32];
with Psyche, [44].
Erotes, frieze of, [34], [43].
Eubouleus head, [26].
Euboulides, [58] sq.
Eucheir, [58] sq.
Euthykrates, [36].
Eutychides of Sikyon, [3], [33], [38], [46] sq.
Farnese Bull, [39], [48] sq.
Farnesina, Villa, decorations of, [81].
Fisherman, of Louvre, [28];
of Conservatori, [28].
Gaul, Dying, [9] sq., [37];
head of, at Cairo, [11], [20];
Ludovisi, [10] sq.
Genetrix, Venus, [75].
Genre statues, [32], [43].
Glycon, Herakles of, [70].
Grimani reliefs, [30].
Grotesques, Alexandrian, [27] sqq.
Grouping, of statues, [74];
on Neo-Attic reliefs, [77].
Halicarnassos, altar from, [44] sq.
Hellenism, meaning of, [83] sqq.
Herakles, on Antioch coins, [33];
of Damophon, [61];
Farnese, [70];
on Telephos frieze, [16].
Herculaneum figure in Dresden, [38], [55].
Hermaphrodite, in Berlin, [57];
bronze, mentioned by Pliny, [57];
in Constantinople, [5], [65];
Epinal, [57];
sleeping, [8], [57] sq.
Hermerotes, [49].
Hermes, of Andros, [54] sq.;
from Atalanta, [56];
at Pheneos, [59];
Resting, [37] sq.;
Richelieu, [56].
Herms, [49], [52], [75].
Hero resting on lance, [42] sq.
Idealism, in Hellenistic art, [2];
lack of in Alexandrian school, [20].
Ildefonso group, [74].
Inopos in Louvre, [26].
Isis, head of, in Louvre, [24];
priest of, in Capitol, [24].
Jason in Louvre, [40] sqq.
Kephisodotos, symplegma of, [4].
Knife-grinder of the Uffizi, [6] sq.
Korai in Greco-Roman art, [79].
Kritios, ephebe of, [74].
Laocoon, [1], [39], [41], [48], [50], [51].
Leochares, [70].
Ligourio bronze, [74].
Litter, bronze, in Conservatori, [43].
Lycosura, group at, [60] sqq.
Lysippos, pupils of, [3], [36] sqq.;
all-round figures of, [41];
female type of, [39];
influence of: on Antiochene art, [33];
on Farnese Bull, [49];
on Hermes of Andros, [55];
on Rhodian school, [36] sqq.;
on Victory of Samothrace, [47].
Macedonia, attitude of, towards art, [3];
as enemy of Athens, [2].
Maenad, dancing, in Berlin, [8];
in Conservatori, [78];
Scopaic, in Neo-Attic art, [76].
Magnesia, Amazonomachy from, [17];
draped figure from, [45], [47].
Mahdia ship, statuettes from, [28].
Mainland schools of Greece, [53] sqq.
Mantinean basis, [38], [45].
Marsyas, ‘red’ and ‘white’, [6];
Pergamene group of, with Apollo and Scythian slave, [6] sq.
Medici Venus, [71].
Meleager type, Scopaic, [56].
Melos, art of, [63] sqq.
Menander relief, [16], [30], [32].
Menelaos (Ajax) and Patroclos, [48], [50].
Menelaos, pupil of Stephanos, group by, [74].
Models, use of living, [7];
clay, [72].
Morbidezza in Alexandrian work, [21].
Muscles, exaggeration of, [7];
of Farnese Herakles, [70];
of Laocoon, [50];
in Neo-Attic works, [78];
Rhodian naturalism in rendering of, [37].
Muses, of Philiskos, [44] sq.;
of the Vatican, [46].
Naturalism, in Alexandrian art, [25], [27] sqq.;
in floral designs, [82];
in Rhodian art, [37] sq., [47].
Negro’s head in Berlin, [28].
Nemi, bearded head from, [24].
Neo-Attic sculpture, [69], [75] sqq.
Nile, statue of, [32].
Niobid, Chiaramonti, [47].
Niobids, slaying of, [30].
Nottingham Castle, head in, [24].
Odysseus, Chiaramonti, [48] sq.
Ofellius, C., of Delos, [58].
Old woman, of Capitol, [28];
of Conservatori, [28];
of Dresden, [29].
Orestes and Electra, [74].
Orontes, figure of, [33].
Otricoli, Zeus of, [23].
Painting, influence of, on sculpture, [15], [22], [30], [81].
Papias of Aphrodisias, [51].
Parrhasios, [7], [15].
Pasiteles, [69], [72] sqq.
Pastoral reliefs, [30] sqq.
Pellichos, portrait of, [27].
Peloponnese, art of, [59] sqq.
Pergamon, early school of, [4] sqq.;
later school of, [12] sqq.;
altar friezes from, [12] sqq.;
characteristics of art of, [5], [8], [17];
erotic groups of, [4];
girl’s head from, [5], [65];
Hellenistic reliefs ascribed to, [31];
mixed tradition in art of, [7], [17];
satyr types of, [7];
influence of: on other schools, [18];
on Damophon, [60];
on Euboulides, [59];
on Melian Aphrodite, [65];
on Melian Poseidon, [63].
Persian, head of dead, in Terme Museum, [11].
Philiskos, [44] sq.
Pliny, on Aristonides, [49];
on Attalid dedications, [10];
on Boethos, [43];
on Daedalus, [5];
on Euthykrates, [36];
on the Hermaphrodite, [57];
on Pasiteles, [72];
on Stephanos, [73].
Polyeuctes, the Demosthenes of, [54].
Polykles, [57].
Portraiture, realism in, [27];
at Athens, [54].
Poseidon of Melos, [63].
Praxiteles, Cnidian Aphrodite of, [25];
drapery of, [38], [46];
Eubouleus ascribed to, [26];
impressionism of, [22];
influence of, in Hellenistic art, [9], [17], [23], [34], [55].
Praying Boy of Berlin, [37].
Priene, sculpture from, [17];
Archelaos of, [16], [44].
Priest of Isis in Capitol, [24].
Protogenes, [15], [35].
Pyrgoteles, [21].
Realism in Alexandrian art, [27] sqq.
Reliefs, from Asklepieion, [56];
Attic grave, [56];
classification of Hellenistic, [16], [29] sqq.;
early distinguished from late, [32];
Greco-Roman, [80], [81];
influence of painting on, [15], [30], [81];
Neo-Attic, [75] sqq.;
perspective in, [80] sq.;
pictorial background in, [14], [81].
Rhodes, school of, athletic sculpture of, [20], [39] sqq.;
characteristics of, [35] sqq.;
connexion with Victory of Samothrace, [47];
drapery of, [38], [44] sqq.;
exaggeration of, [43], [50];
influence of, on Pergamon frieze, [13];
mythological reliefs of, [31];
perfection of technique of, [52].
Samothrace, Victory of, [46] sqq.
Sarapis of Bryaxis, [20], [23] sq.
Satyr types, Pergamene, [7], [17], [27].
Scopaic school, [5], [7], [17], [34], [55], [56], [65].
Scylla group, [48], [50].
Silanion, Jocasta of, [49].
Sosibios, vase of, [77].
Spada, Palazzo, reliefs in, [30], [31], [73].
Stephanos, Appiades of, [73];
athlete of, [73] sq.
Straton, [62].
Stucco, hair added in, [22] sq.
Stylopinakia, [16].
Subiaco youth, [42].
Syracuse, torso at, [26].
Tauriskos of Tralles, [48] sq.
Telephos frieze, [14] sq.
Thasos, figure from, [45].
Themis of Chairestratos, [54].
Timarchides, [57].
Tisicrates, [37].
Titus, arch of, [80] sq.
Tralles, Apollo of, [17];
Apollonios and Tauriskos of, [48];
as art centre, [17] sq.;
ephebe of, [17].
Venus, Capuan, [65] sq.;
from Cyrenaica, [22];
Genetrix, [75];
Medici, [71].
Victory, of the Balustrade, [76] sq.;
of Brescia, [66];
of Euboulides, [59];
of Samothrace, [46] sqq.
Visit of Dionysos, relief of, [16], [30].
Xenophilos, [62].
Zeus of Otricoli, [23].

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[Page 41]: “statue of Agasias” may be a misprint for “statue by Agasias”.