The sky was like a great hollow turquoise; the sun beat down upon the Pearl of Andalusia with limpid glory, and played perpetually upon the white and painted walls. The orange trees, only introduced into Spain some five-and-twenty years before from Asia, were globed with their golden fruit among the dark, jade-like leaves of polished green; feathery palms with their mailed trunks rose up to cut the blue, and on every side buildings which glowed like immense jewels were set to greet the unaccustomed northern eye. The Posada was a blaze of colour, half Moorish, half Gothic, fantastic and alluring as a rare dream.
Johnnie heard early in the morning that Don José would be away for two days, having travelled to his vineyards beyond the old Roman village of Sancios. The day therefore, and the morrow also, was left to them for sight-seeing. Both he and Elizabeth had in part forgotten the cloud of distress under which they had left their native land. The child often talked to him of her father, making many half-shy confidences about her happy life at Hadley, telling him constantly of that brave and stalwart gentleman. But she now accepted all that had happened with the perfect innocence and trustfulness of youth. Upon her white and stainless mind what she had undergone had left but little trace. Even now she only half realised her ravishment to the house with the red door, and that Madame La Motte was not a pattern of kindness, discretion, and fine feeling would never have entered Lizzie's simple mind. She was going to be married to Johnnie!—it was to be arranged almost at once—and then she knew that there need be no more trouble, no weariness, no further searchings of heart. She and Johnnie would be together for ever and ever, and that was all that mattered!
Indeed, under these bright skies, among the gay, good-humoured, and heedless people of Seville, it would have been very difficult for much older and more world-weary people than this young man and maid to be sad or apprehensive.
It had all been a feast, a never-ending feast for eye and ear. They had stood before pictures which were world-famous—they had seen that marvellous allegory in pigment, where "a hand holds a pair of scales, in which the sins of the world—set forth by bats, peacocks, serpents, and other emblems—are weighed against the emblems of the Passion of Christ our Lord; and eke in the same frame, which is thought to be the finer composition, Death, with a coffin under one arm, is about to extinguish a taper, which lighteth a table besprent with crowns, jewels, and all the gewgaws of this earthly pomp. 'In Ictu Oculi' are the words which circle the taper's gleaming light, while set upon the ground resteth a coffin open, the corpse within being dimly revealed."
They had walked through the long colonnade in the palace of the Alcazar, to the baths of Maria de Padilla, the lovely mistress of Pedro the Cruel, "at the Court of whom it was esteemed a mark of gallantry and loyalty to drink the waters of the bath after that Maria had performed her ablutions. Upon a day observing that one of his knights refrained from this act of homage, the King questioned him, and elicited the reply, 'I dare not drink of the water, Sire, lest, having tasted the sauce, I should covet the partridge.'"
All these things they had done together in their love and youth, forgetting all else but the incomparable beauties of art and nature which surrounded them, the music and splendour of Love within their hearts.
... A serving-man came through the patio.
"Puedo cenar?" Johnnie asked. "A qué hora es el cenar?"
The man told him that supper was ready then, and together with the ladies Johnnie left the courtyard and entered the long comedor, or dining-hall, a narrow room with good tapestries upon the walls, and a ceiling decorated with heads of warriors and ladies in carved and painted stucco.
It was lit by candle, and supper was spread for the three in the middle of one great table, an oasis of fruit, lights, and flowers.