"Keble wrote some fine verse," said the doctor tentatively.
"Exactly. Sound prosody and restrained style! There is fervour and feeling in Lothian's work. It is impossible to deny it. But it's too passionate and feverish. There is a savage, almost despairing, clutching at spiritual emotion which strikes me as thoroughly unhealthy. The Love of Jesus, the mysterious operations of the Holy Ghost—these seem to me no proper vehicles for words which are tortured into a wild and sensuous music. As I read the poems of Gilbert Lothian I am reminded of the wicked and yet beautiful verses of Swinburne, and of others who have turned their lyre to the praise of lust. The sentiment is different, but the method is the same. And I confess that it revolts me to see the verbal tricks and polished brilliance of modern Pagan writers adapted to a fugitive and delirious ecstasy of Christian Faith."
Morton Sims understood thoroughly. This was the obstinate and prejudiced voice of an older literary generation, suddenly become vindictively vocal.
"I know all that you mean," he said. "I don't agree with you in the least, but I appreciate your point of view. But let me keep myself out of the discussion for a moment. I am not what you would probably be prepared to call a professing Christian. But how about Moultrie? He sent me Lothian's poems first of all. I remember the actual evening last winter when they arrived. A contemporaneous circumstance has etched it into my memory with certainty. Moultrie is a deeply convinced Christian. He is a man of the widest culture also. Yet he savours his palate with every nuance, every elusive and delicate melody that the genius of Lothian gives us. How about Moultrie's attitude?—it is a very general one."
Mr. Medley laughed, half with apology, half with the grim humour which was personal to him.
"I quite admit all you say," he replied, "but, as I told you, I belong to another generation and I don't in the least mean to change or listen to the voice of the charmer! I am a prejudiced old fogey, in short! I am still so antiquated and foolish as to have a temperamental dislike for a French-man, for instance. I like a picture to tell a story, and I flatly refused to get into Moultrie's abominable automobile when he brought it to the Rectory the other day!"
Morton Sims was not in the least deceived by this half real, half mocking apologia. It was not merely a question of style that had roused this heat in the dry elderly man when he spoke of the things which he so greatly disliked in the poet's work. There was something behind this, and the doctor meant to find out what it was. He was in Mortland Royal, in the first instance, in order to follow up the problem of Gilbert Lothian. His choice of a country residence had been determined by the Poet's locality. Every instinct of the scientist and hunter was awake in him. He had dreadful reasons, reasons which he could never quite think of without a mental shudder, for finding out everything about the unknown and elusive genius who had given "Surgit Amari," to the world.
He looked his companion full in the face, and spoke in a compelling, searching voice that the other had not heard before.
"What's the real antagonism, Mr. Medley?" he said.
Then the clergyman spoke out.