Now his mind was like a field in the full sun of noon, parched and full of hot odours.
He was perfectly aware that he had made a faux pas. How far it went, whether he was not exaggerating it, he did not know. The semi-intoxicated person—more especially when speech and gait are more or less normal, as in his case—is quite incapable of gauging the impression he makes on others. In lax and tolerant circles where no outward indication is given him of his state, he goes on his way pleased and confident that he has made an excellent impression, sure that no one has found him out.
But his cunning and self-congratulation quite desert him when he is openly snubbed or reproved. "Was I very far gone?" he afterwards asks some confidential friend who may have been present at his discomfiture. And whatever form the answer may take, the drunkard is abnormally interested in all the details of the event. Born of the toxic influences in his blood, there is a gaunt and greedy vanity which insists upon the whole scene being re-enacted and commented upon.
Lothian had no one to tell him how far he had gone, precisely what impression he had made upon his hosts and their guests. He felt with a sense of injury that Dickson Ingworth ought to have come away with him. The young man owed so much to him in the literary life! It was a treachery not to have come away with him.
As he got into a cab and told the man to drive him as far as Piccadilly Circus, he was still pursuing this train of thought. He had taken Ingworth to the Amberleys', and now the cub was sitting in the drawing room there, with those charming girls! quite happy and at ease. He, Gilbert Lothian himself! was out of it all, shut out from that gracious house and those cultured people whom he had been so glad to meet.
. . . Again he heard the soft closing of the big front door behind him, and his skin grew hot at the thought. The remembrance of Amberley's quiet courtesy, but entire change of manner in the hall, was horrible. He felt as if he had been whipped. The dread of a slight, the fear of a quarrel, which is a marked symptom of the alcoholic—is indeed his torment and curse through life—was heavy upon Lothian now.
The sense of impotence was sickening. What a weak fool he had been to break down and fly like that. To run away! What faltering and trembling incapacity for self-assertion he had shown. He had felt uneasy with the very servant who gave him his opera hat!
And what had he done after all? Very little, surely.
That prelude of Chopin always appealed to him strongly. He had written about it; Crouchmann had played it privately for him and pointed out new beauties. Certainly he had only met Miss Amberley for the first time that night and he may have been a little over-excited and effusive. His thoughts—a poet's thoughts after all—had come too quickly for ordered expression. He was too Celtic in manner, too artistic for these staid cold folk.
He tried to depreciate the Amberleys in his thoughts. Amberley was only a glorified trades-man after all! Lothian tried to call up within him that bitter joy which comes from despising that which we really respect or desire. "Yes! damn the fellow! He lived on poets and men of letters—privileged people, the salt of the earth, the real forces of life!"