It was people of this class who supported the magnificent concerts in the Free Trade Hall at Manchester, who bought the pictures and read the books. They had brought an alien culture to the neighbourhood. The vicar had two strong elements to contend with,—for his parochial life was all contention,—on the one hand the Lancashire natives, on the other the wealthy Jewish families.
The first were hard, uncultured people, hating everything that had not its origin and end in commerce. They disliked Mr. Byars because he was a gentleman, because he was educated, and because—so they considered—the renting of the pews in his church gave them the right to imagine that he was in some sense a paid servant of theirs.
The second class of parishioners were less Philistine, certainly, but even more hopeless from the parish priest's point of view. In their luxurious houses they lived an easy, selfish, and sensual life, beyond his reach, surrounded by a wall of indifferentism, and contemptuous of all that was not tangible and material. At times the rector and the curate confessed to each other that these people seemed more utterly lost than any others with whom the work of the Church brought them in contact.
Mr. Byars was a widower with one son, now at Oxford, and one daughter, Helena, who was engaged to Basil Gortre, the curate.
About six o'clock the vicar sat in his study with a pile of letters before him. The room was a comfortable, bookish place, panelled in pitch pine where the walls were not covered with shelves of theological and philosophical works.
The arm-chairs were not new, but they invited repose; the large engraving over the pipe-littered mantel was a fine autotype of Giacomo's St. Emilia. The room was brightly lit with electric light.
Mr. Byars was a man of medium height, bald, his fine, domed forehead adding to his apparent age, and wore a pointed grey beard and moustache. He was an epitome of the room around him.
The volumes on his shelves were no ancient and musty tomes, but represented the latest and newest additions to theological thought.
Lathom and Edersheim stood together with Renan's Vie de Jésus and Clermont-Ganneau's Recueil d'Arch. Orient, and Westcott guarded them all.
The ivory crucifix which stood on the writing-table completed the impression of the man.