These directions were all piously carried out by a mourning people, who decked his mound with the gold he had won, and erected above it a Bauta, or memorial stone, to show how dearly they had loved their brave king Beowulf, who had died to save them from the fury of the dragon.
CHAPTER II.
GUDRUN.
Maximilian I., Emperor of Germany, rendered a great service to posterity by ordering that copies of many of the ancient national manuscripts should be made. These copies were placed in the imperial library at Vienna, where, after several centuries of almost complete neglect, they were discovered by lovers of early literature, in a very satisfactory state of preservation. These manuscripts then excited the interest of learned men, who not only found therein a record of the past, but gems of literature which are only now beginning to receive the appreciation they deserve.
[Sidenote: Origin of poem of Gudrun.] Among these manuscripts is the poem "Gudrun," belonging to the twelfth or thirteenth century. It is evidently compiled from two or more much older lays which are now lost, which are alluded to in the Nibelungenlied. The original poem was probably Norse, and not German like the only existing manuscript, for there is an undoubted parallel to the story of the kidnaping of Hilde in the Edda. In the Edda, Hilde, the daughter of Högni, escapes from home with her lover Hedin, and is pursued by her irate father. He overtakes the fugitives on an island, where a bloody conflict takes place, in which many of the bravest warriors die. Every night, however, a sorceress recalls the dead to life to renew the strife, and to exterminate one another afresh.
The poem "Gudrun," which is probably as old as the Nibelungenlied, and almost rivals it in interest, is one of the most valuable remains of ancient German literature. It consists of thirty-two songs, in which are related the adventures of three generations of the heroic family of the Hegelings. Hence it is often termed the "Hegeling Legend."
[Sidenote: Kidnaping of Hagen.] The poem opens by telling us that Hagen was the son of Sigeband, King of Ireland, which was evidently a place in Holland, and not the well-known Emerald Isle. During a great feast, when countless guests were assembled around his father's hospitable board, this prince, who was then but seven years of age, was seized by a griffin and rapidly borne away.
"Young Hagen, loudly crying, was filled with dire dismay;
The bird with mighty pinions soared high with him away."
Gudrun (Dippold's tr.).
The cries of the child, and the arrows of Sigeband's men at arms, were equally ineffectual in checking the griffin, which flew over land and sea, and finally deposited its prey in its nest on the top of a great cliff on a desert island. One of the little griffins, wishing to reserve this delicate morsel for its own delectation, caught the boy up in its talons and flew away to a neighboring tree. The branch upon which it perched was too weak to support a double load, however, and as it broke the frightened griffin dropped Hagen into a thicket. Undismayed by the sharp thorns, Hagen quickly crept out of the griffin's reach and took refuge in a cave, where he found three little girls who had escaped from the griffins in the same way.
[Sidenote: The three maidens.] One of these children was Hilde, an Indian princess; the second, Hildburg, daughter of the King of Portugal; and the third belonged to the royal family of Isenland. Hagen immediately became the protector of these little maidens, spending several years in the cave with them. He ventured out only when the griffins were away, to seek berries or shoot small game with a bow which he had made in imitation of those he had seen in his father's hall.