The frequency of shipwrecks on the Northern coasts made the people describe Ran (the equivalent of the Greek sea-goddess Amphitrite) as greedy and avaricious, and armed with a strong net, with which she drew all things down into the deep. The Greek Sirens had their parallel in the Northern Lorelei, who possessed the same gift of song, and also lured mariners to their death; while Princess Ilse, who was turned into a fountain, reminds us of the nymph Arethusa, who underwent a similar transformation.

In the Northern conception of Nifl-heim we have an almost exact counterpart of the Greek Hades. Mödgud, the guardian of the Giallar-bru (the bridge of death), over which all the spirits of the dead must pass, exacts a tribute of blood as rigorously as Charon demands an obolus from every soul he ferries over Acheron, the river of death. The fierce dog Garm, cowering in the Gnipa hole, and keeping guard at Hel’s gate, is like the three-headed monster Cerberus; and the nine worlds of Nifl-heim are not unlike the divisions of Hades, Nastrond being an adequate substitute for Tartarus, where the wicked were punished with equal severity.

The custom of burning dead heroes with their arms, and of slaying victims, such as horses and dogs, upon their pyre, was much the same in the North as in the South; and while Mors or Thanatos, the Greek Death, was represented with a sharp scythe, Hel was depicted with a broom or rake, which she used as ruthlessly, and with which she did as much execution.

Balder and Apollo.

Balder, the radiant god of sunshine, reminds us not only of Apollo and Orpheus, but of all the other heroes of sun myths. His wife Nanna is like Flora, and still more like Proserpine, for she, too, goes down into the underworld, where she tarries for a while. Balder’s golden hall of Breidablik is like Apollo’s palace in the east; he, too, delights in flowers; all things smile at his approach, and willingly take an oath of allegiance to him. Just as Achilles is vulnerable only in the heel, Balder can be slain only by the harmless mistletoe, and his death is occasioned by Loki’s jealousy just as truly as Hercules was slain by Dejanira’s. Balder’s funeral pyre on Ringhorn reminds us of Hercules’s death on Mount Œta, the flames and reddish glow of both fires serving to typify the setting sun. The Northern god of sun and summer could only be released from Nifl-heim if all animate and inanimate objects shed tears; so Proserpine could issue from Hades only upon condition that she had partaken of no food. The trifling refusal of Thok to shed a single tear is like the pomegranate seeds which Proserpine ate, and the result is equally disastrous in both cases, as it detains Balder and Proserpine underground, and the earth (Frigga or Ceres) must continue to mourn their absence.

Through Loki evil entered into the Northern world; Prometheus’s gift of fire brought the same curse down upon the Greeks. The punishment inflicted by the gods upon both culprits is not unlike, for while Loki is bound with adamantine chains underground, and tortured by the continuous dropping of venom from the fangs of a snake fastened above his head, Prometheus is bound to Caucasus by adamantine fetters also, and a ravenous vulture continually preys upon his liver. Loki’s punishment has another counterpart in that of Tityus, bound in Hades, and in that of Enceladus, chained beneath Mount Ætna, where his writhing produced earthquakes, and his imprecations were the sudden eruptions of the volcano. Loki further resembles Neptune in that he, too, assumed an equine form and was the parent of a wonderful steed, for Sleipnir rivals Arion both in speed and endurance.

The Fimbulwinter has been compared to the long preliminary fight under the walls of Troy, and Ragnarok, the grand closing drama of Northern mythology, to the burning of that famous city. “Thor is Hector; the Fenris wolf, Pyrrhus, son of Achilles, who slew Priam (Odin); and Vidar, who survives in Ragnarok, is Æneas.” The destruction of Priam’s palace is the type of the ruin of the gods’ golden halls; and the devouring wolves Hati, Sköll, and Managarm, the fiends of darkness, are prototypes of Paris and all the other demons of darkness, who bear away or devour the sun maiden Helen.

Ragnarok and the Deluge.

According to another interpretation, however, Ragnarok and the consequent submersion of the world is only a Northern version of the Deluge. The survivors, Lif and Lifthrasir, are like Deucalion and Pyrrha, who were destined to repeople the world; and just as the shrine of Delphi alone resisted the destructive power of the great cataclysm, so Gimli stood radiant to receive the surviving gods.

We have already seen how closely the Northern giants resembled the Titans; now it only remains to mention that while the Greeks imagined that Atlas was changed into a mountain, so the giants in Germany formed the Riesengebirge, and that the avalanches were the burdens of snow which they impatiently shook off in changing their cramped positions. The apparition of one of the water giants, in the shape of a bull, in order to court the queen of the Francs, has its parallel in the story of Jupiter’s wooing of Europa, and Meroveus is evidently the exact counterpart of Sarpedon. A faint resemblance can be traced between the giant ship Mannigfual and the Argo, for while the one is supposed to have cruised all round the Ægean and Euxine Seas, and to have made many places memorable by the dangers it encountered there, so the Northern vessel sailed about the North and Baltic Seas, and is mentioned in connection with the Island of Bornholm and the cliffs of Dover.