The ordinary name for a cooking-vessel of earthenware in Greece was χύτρα, answering to our “pot”: it was used both for water and for solids, as well as for other domestic purposes. Children were exposed in χύτραι[[597]]; and a boy’s game called χυτρίνδα is described by Pollux[[598]]; it was apparently played in two ways, either by a boy representing a χύτρα, who was pulled about by the other players until he caught one, or by a boy carrying a pot, with some obscure reference to the story of Midas. There were several proverbial expressions connected with the χύτρα, such as ποικίλλειν χύτρας, “to paint pots,” expressive of useless labour, owing to the roughness of the ware; and together with the χοῦς, a vessel only known as a measure (12 kotylae or 5¾ pints), it played a part in the festival of the Anthesteria, one day of which was known as Χύτραι καὶ Χόες, or “Pot-and-Pan Day.”[[599]] The word χυτρόπους, used by Hesiod[[600]] and Aristophanes,[[601]] seems merely to denote a cooking-pot with feet. The πύραυνοι or κλίβανοι large clay vessels used either as brasiers or for baking purposes, have been already described in Chapter [III].
A few other general words for cooking-vessels and domestic utensils may also be mentioned here. The θερμαντήρ mentioned by Pollux[[602]] is presumably identical with the θερμοπότις and ἀναφαία of Athenaeus (475 D, 783 F), the former, as its name implies, being a vessel in which hot drinks were prepared. It seems to have been exclusively made of metal, and may, indeed, only be another name for the λέβης. It has, as we have seen, been identified with the κελέβη. Pollux gives a list of vessels used for warming water.[[603]]
The ἡθμός, or strainer,[[604]] answers to the modern colander, and is represented by a flat round vessel with long handle, of which some late fictile examples exist.[[605]] It is mentioned among the vessels in the Sigeian inscription,[[606]] but is there spelled ἡθμός. Most of the existing specimens are of bronze. The ὁλκεῖον mentioned by Athenaeus[[607]] appears to have been a bowl used for washing cups. The σκάφη (“boat”) is a general term used in the classics for vessels of varied import: basins, troughs, washing-tubs, bowls, etc.[[608]] It is the name used in inscriptions relating to the Panathenaic festival to describe the flat dishes or trays borne by the maidens who were called Skaphephori in the procession, as represented on the Parthenon frieze.[[609]] The diminutive form σκάφιον or σκαφεῖον also occurs, and is identified with καλπίον. The ὅλμος, generally used to denote a mortar,[[610]] also signified a bowl,[[611]] and had the special signification of the hollow bowl in which the priestess of Apollo sat when delivering oracles from the Delphic tripod. It may here be noted that the word τρίπους appears to be used in ancient writers[[612]] not only for the stand which supported the λέβης and other vessels, but for a vessel itself when thus supported on three feet. Most of the existing tripods are made of bronze,[[613]] but one or two fictile examples are known, including a very remarkable one in Berlin,[[614]] found at Tanagra, and covered with archaic paintings in the B.F. method.
On bathing and washing vessels our best authority is Pollux (x. 63); it is not, however, likely that they were often of earthenware. The ποδανιπτήρ at all events was of metal; it is often seen on R.F. vases with the subject of Theseus killing Procrustes.[[615]] Large vessels, resembling modern baths, were known by the names of πύελος: and ἀσαμινθος[[616]]; the λουτήριον, or laver, on a high stem, is frequently represented on South Italian vases,[[617]] but is a purely decorative adjunct. It is there painted white to indicate marble.
The λεκάνη[[618]] should also perhaps be included here, as according to the literary accounts it was a basin used for washing feet or clothes, or for vomiting. It also served the purpose of a mortar, and was used in the game of kottabos. A method of divination sometimes practised was known as λεκανομαντεία and consisted in placing waxen images in a lekane full of water, which became as it were animated and sank, thus signifying the destruction of an enemy. In Pseudo-Callisthenes we read how Nectanebos, the supposed father of Alexander, made use of this procedure.[[619]]
FIG. 43. OINOCHOË (7TH CENTURY).
The next series with which we have to deal is that of vases used for pouring out wine and serving it at the table. They fall into two classes: the wine-jug for pouring, and the ladle for filling it out of the mixing-bowl. We begin with the series of wine-jugs, as being the more important.
FIG. 44. OINOCHOË (5TH CENTURY).