[514]. B.M. B 464, F 210.
[515]. Op. et Di. 98; the word has been confused with πυξίς, meaning a box. See J.H.S. xx. p. 99.
[516]. Hesych. s.v.; Pollux, vii. 163.
[517]. This must be distinguished from κάναβος (see p. [111]), a skeleton frame on which statues were modelled. See Geoponica, vi. 3, p. 4; Pollux, vii. 164; Jahn in Ber. d. sächs. Gesellsch. 1854, p. 42; Blümner, Technologie, ii. p. 42.
[518]. Brit. School Annual, 1899–1900, p. 22; cf. Amer. Journ. of Arch. 1901, p. 404.
[519]. Ath. Mitth. 1903, pp. 96 ff., 140 ff., Beilagen 1–5.
[520]. Troja und Ilion, i. p. 315.
[521]. See Pottier, Louvre Cat. ii. p. 381 ff.; Ath. Mitth. 1886, pl. 4; Röm. Mitth. xii. (1897), p. 256; Arch. Zeit. 1881, p. 44 ff.; Kekulé, Terracotten von Sicilien, pls. 55–7, 60; and p. 496.
[522]. Hom. Il. xxiii. 170; Od. ii. 290, ix. 164; Inscr. Gr. (Atticae), ii. 965 b (oil); and see Chap. [XXI]., s.v. See also Jahn, Vasens. zu München, p. xcii, and cf. the amphora in Rome with the oil-selling scene (Helbig, 70 = Reinach, i. p. 106).
[523]. ἀμφιφορεύς, from ἀμφί, “on either side,” and φέρω, “I carry.” Athenaeus (xi. 501 A) explains it as ὁ ἑκατέρωθεν κατὰ τὰ ὧτα δυνάμενος φέρεσθαι.