[1039]. Cf. Louvre E 350 ff.
[1040]. Studniczka (Jahrbuch, 1887, p. 151) connects Ekphantos with Melos (cf. the inscription in Roberts, Gk. Epigraphy, i. p. 32). On the connection of Corinth with Melos, see Wilisch, p. 123 ff.
[1041]. The aryballos is also found in early Boeotian fabrics (subsequent to the Geometrical period): cf. the Gamedes vase in the B.M. (p. [300].), and that of Menaidas in the Louvre.
[1042]. See Wilisch, p. 24; examples in Athens Mus., Nos. 621, 622, 640 ff.
[1043]. Pottier, Louvre Cat. ii. p. 437 ff.; but see Ath. Mitth. 1895, p. 125, and Böhlau, Ion. u. ital. Nekrop. p. 98.
[1044]. E.g. Athens Mus. 502 and 507; Berlin 1034 ff.; J.H.S. xii. p. 312 (from Cyprus); and cf. Wilisch, p. 41.
[1045]. See Él. Cér. iii. 31–32 B, etc., and Chapter XII.
[1046]. J.H.S. i. pl. 1.
[1047]. Louvre E 600; Wilisch, figs. 47–9. In some of these the inscribed names may be purely fanciful. The Corinthian potters were particularly fond of idealising ordinary scenes in this way. Cf. for Trojan scenes Chapter [XIV]. and Hermes, 1901, p. 388.